5.5/10
508
19 user 5 critic

No More Ladies (1935)

Passed | | Comedy, Romance | 14 June 1935 (USA)
A society girl tries to reform her playboy husband by making him jealous.

Directors:

, (uncredited)

Writers:

(screen play), (screen play) | 1 more credit »
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Cast

Complete credited cast:
...
...
...
Edgar (as Charlie Ruggles)
...
Jim
...
...
...
...
...
Caroline (as Joan Burfield)
...
...
Duffy (as David Horsley)
...
Sally
Rest of cast listed alphabetically:
E.J. Babille ...
Desk Clerk (as E.J. Babiel)
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Storyline

A society girl tries to reform her playboy husband by making him jealous.

Plot Summary | Add Synopsis

Taglines:

They haven't had enough, but they've had all they can stand! What they need is a rest, and they never get it! See more »

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »
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Details

Country:

Language:

Release Date:

14 June 1935 (USA)  »

Also Known As:

Adeus Mulheres  »

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Box Office

Budget:

$765,000 (estimated)

Gross USA:

$1,117,000

Cumulative Worldwide Gross:

$1,623,000
See more on IMDbPro »

Company Credits

Production Co:

 »
Show more on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Eddie Hart (Taxi Driver), Sherry Hall (Captain), Walter Walker and Fred Kohler Jr. are listed in studio records and/or casting call lists for parts in this movie, but were not seen in the print. See more »

Quotes

Sheridan 'Sherry': You know half the time I adore you and the other half the time I could murder you. I bet I'm in love.
See more »

Connections

Featured in Joan Crawford: The Ultimate Movie Star (2002) See more »

Soundtracks

All I Do Is Dream Of You
(1934) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on banjo by Arthur Treacher and
Sung by Gail Patrick at the party
See more »

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User Reviews

 
Witty dialogue and a good supporting cast
16 August 2002 | by See all my reviews

The unoriginal plot, about a rich married couple dealing with problems of infidelity, is secondary here to the clever dialogue by Donald Ogden Stewart, who wrote the screenplay to The Philadelphia Story, and to a strong supporing cast. Joan Crawford is fine, but Robert Montgomery and Franchot Tone, fighting for Crawford's hand, wind up being nearly indistinguishable from each other, both in looks and in character. That leaves the supporting cast to rescue the film: Charles Ruggles has a fun bit as a slurring drunk and Arthur Treacher comes in at the end as a stuffy Brit who mumbles loudly and misuses American slang. Even Gail Patrick, who isn't normally given much to do in her man-stealing parts, is fine here. But the best is Edna May Oliver, playing the wise and witty matriarch--she steals every scene she's in and was the main reason I finished watching the movie.


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