No More Ladies (1935)

Passed  |   |  Comedy, Romance  |  14 June 1935 (USA)
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Ratings: 5.6/10 from 454 users  
Reviews: 19 user | 4 critic

A society girl tries to reform her playboy husband by making him jealous.


, (uncredited)


(screen play), (screen play), 4 more credits »
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Complete credited cast:
Edgar (as Charlie Ruggles)
Gail Patrick ...
Vivienne Osborne ...
Lady Diana Knowleton
Caroline (as Joan Burfield)
Arthur Treacher ...
Lord Knowleton
David S. Horsley ...
Duffy (as David Horsley)
Jean Chatburn ...
Rest of cast listed alphabetically:
E.J. Babille ...
Desk Clerk (as E.J. Babiel)


A society girl tries to reform her playboy husband by making him jealous.

Plot Summary | Add Synopsis


They haven't had enough, but they've had all they can stand! What they need is a rest, and they never get it! See more »


Comedy | Romance


Passed | See all certifications »




Release Date:

14 June 1935 (USA)  »

Also Known As:

Adeus Mulheres  »

Box Office


$765,000 (estimated)

Company Credits

Production Co:

Show detailed on  »

Technical Specs


Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »

Did You Know?


Joan Crawford loaned her make-up man, hairdresser and an Adrian gown to Gail Patrick for her screen test. When Patrick got the role and tried to thank Crawford, she wouldn't hear of it, saying only, "People helped me when I started out." See more »


Edgar Holden: You know, my grandmother always told me to take a nap before dinner in order to conserve my vitality for the serious drinking of the evening.
See more »


Featured in Joan Crawford: The Ultimate Movie Star (2002) See more »


All I Do Is Dream Of You
(1934) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on banjo by Arthur Treacher and
Sung by Gail Patrick at the party
See more »

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User Reviews

Witty dialogue and a good supporting cast
16 August 2002 | by (Columbus OH) – See all my reviews

The unoriginal plot, about a rich married couple dealing with problems of infidelity, is secondary here to the clever dialogue by Donald Ogden Stewart, who wrote the screenplay to The Philadelphia Story, and to a strong supporing cast. Joan Crawford is fine, but Robert Montgomery and Franchot Tone, fighting for Crawford's hand, wind up being nearly indistinguishable from each other, both in looks and in character. That leaves the supporting cast to rescue the film: Charles Ruggles has a fun bit as a slurring drunk and Arthur Treacher comes in at the end as a stuffy Brit who mumbles loudly and misuses American slang. Even Gail Patrick, who isn't normally given much to do in her man-stealing parts, is fine here. But the best is Edna May Oliver, playing the wise and witty matriarch--she steals every scene she's in and was the main reason I finished watching the movie.

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