Mary Turner goes up for three years on a crime she didn't commit. Once out she and former prison mates plan a scam in which old men can be sued for breach of promise - the "heart balm" ... See full summary »
Commercial artist Daisy Kenyon is involved with married lawyer Dan O'Mara, and hopes someday to marry him, if he ever divorces his wife Lucille. She meets returning veteran Peter, a decent ... See full summary »
When her rich oilman father is killed, Bingo, raised in the wilds of South America, inherits the company. Her guardians Ben and Howard send her to New York for civilizing but on the way she... See full summary »
Actress Judy Carroll, from the gas-house district has been trained, educated and developed so well by her manager, that not even the publicity-seeking world of the theater has guessed her ... See full summary »
Eighteen-year-old Esther has been deaf and blind since the accident which killed her mother. Wealthy Margaret Landi, a native of Esther's village in Ireland, is talked into helping to ... See full summary »
Carnival dancer Lane Bellamy finds herself stranded in a southern town ruled by corrupt political boss Titus Semple. Lane becomes romantically involved with sheriff Fielding Carlisle, a ... See full summary »
Gold-diggers Kay Francis and Lilyan Tashman meet susceptible lonely businessmen at conventions in this ribald preproduction code story. The millionaires lavish the girls with expensive ... See full summary »
Rachel Crothers, who adapted the play for the screen, complained bitterly in an article about her work being butchered by producers and directors. MGM removed her credit from the film at her request. See more »
Did I watch the same movie as these other reviewers?
In the past 24 hours, I watched two 1930s comedies -- MERRILY WE LIVE and NO MORE LADIES.
IDMB users seemed to like MWL far more than I did. Many of the actors brought little to their roles in that film, and there's not a snappy bit of dialogue in the whole picture.
NML, on the other hand, is very witty, very well-acted, and quite entertaining. Yes, it might have been even better with someone other than Joan Crawford in the female lead, but Robert Montgomery is very strong and this was the most enjoyable work I'd ever seen Edna May Oliver deliver.
And I don't think, as one reviewer suggested, the Code impacted this movie very much -- in fact, it comes as being quite Pre-Code in nature. If you didn't know when it was made, one might easily guess it was pre-, not post-, code.
In short, not a classic, but quite snappy and entertaining and well worth watching.
14 of 19 people found this review helpful.
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