Domineering Harriet Craig holds more regard for her home and its possessions than she does for any person in her life. Among those she treats like household objects are her kind husband ... See full summary »
Tom Collier has had a great relationship with Daisy, but when he decides to marry, it is not Daisy whom he asks, it is Cecelia. After the marriage, Tom is bored with the social scene and ... See full summary »
College sweethearts Julie and Ives have planned to marry as soon as school is over. Their plans go amiss when Julie meets a weak writer and runs off to marry him. After her husband dies, ... See full summary »
Jenny Stewart is a tough Broadway musical star who doesn't take criticism from anyone. Yet there is one individual, Tye Graham, a blind pianist who may be able to break through her tough ... See full summary »
Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in ... See full summary »
Marge is a capable secretary, but her bosses are more interested in her than her abilities. This causes her to be frequently unemployed. To get a job, she changes her look to make herself ... See full summary »
Rachel Crothers, who adapted the play for the screen, complained bitterly in an article about her work being butchered by producers and directors. MGM removed her credit from the film at her request. See more »
Did I watch the same movie as these other reviewers?
In the past 24 hours, I watched two 1930s comedies -- MERRILY WE LIVE and NO MORE LADIES.
IDMB users seemed to like MWL far more than I did. Many of the actors brought little to their roles in that film, and there's not a snappy bit of dialogue in the whole picture.
NML, on the other hand, is very witty, very well-acted, and quite entertaining. Yes, it might have been even better with someone other than Joan Crawford in the female lead, but Robert Montgomery is very strong and this was the most enjoyable work I'd ever seen Edna May Oliver deliver.
And I don't think, as one reviewer suggested, the Code impacted this movie very much -- in fact, it comes as being quite Pre-Code in nature. If you didn't know when it was made, one might easily guess it was pre-, not post-, code.
In short, not a classic, but quite snappy and entertaining and well worth watching.
14 of 19 people found this review helpful.
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