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No More Ladies (1935)

Passed  |   |  Comedy, Romance  |  14 June 1935 (USA)
5.6
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Ratings: 5.6/10 from 448 users  
Reviews: 19 user | 4 critic

A society girl tries to reform her playboy husband by making him jealous.

Directors:

, (uncredited)

Writers:

(screen play), (screen play), 4 more credits »
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Cast

Complete credited cast:
...
Marcia
...
Sherry
...
Edgar (as Charlie Ruggles)
...
Jim
Edna May Oliver ...
Fanny
Gail Patrick ...
Theresa
...
Oliver
Vivienne Osborne ...
Lady Diana Knowleton
...
Caroline (as Joan Burfield)
Arthur Treacher ...
Lord Knowleton
David S. Horsley ...
Duffy (as David Horsley)
Jean Chatburn ...
Sally
Rest of cast listed alphabetically:
E.J. Babille ...
Desk Clerk (as E.J. Babiel)
Edit

Storyline

A society girl tries to reform her playboy husband by making him jealous.

Plot Summary | Add Synopsis

Taglines:

They haven't had enough, but they've had all they can stand! What they need is a rest, and they never get it! See more »

Genres:

Comedy | Romance

Certificate:

Passed | See all certifications »
Edit

Details

Country:

Language:

Release Date:

14 June 1935 (USA)  »

Also Known As:

Adeus Mulheres  »

Box Office

Budget:

$765,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

George Cukor took over as director when Edward H. Griffith fell ill, but refused an onscreen co-director credit. See more »

Quotes

Sheridan 'Sherry': [to Oliver] I trust you. Why don't people trust me?
Mrs. Fanny 'Grandma' Townsend: Maybe it's because they know you.
See more »

Connections

Featured in Joan Crawford: The Ultimate Movie Star (2002) See more »

Soundtracks

All I Do Is Dream Of You
(1934) (uncredited)
Music by Nacio Herb Brown
Lyrics by Arthur Freed
Played on banjo by Arthur Treacher and
Sung by Gail Patrick at the party
See more »

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User Reviews

 
Trying to be Noel Coward-like and falling on one's face.
8 November 2005 | by (United States) – See all my reviews

For sporadic moments of amusement "No More Ladies" is perfectly satisfactory. It has the MGM lusciousness and gleam that the other studios envied. Note the great looking costumes on Joan Crawford, Joan Fontaine, and Gail Patrick wear. The sophistication is showed by the ho-ho-ho jokes that are dropped by the likes of Crawford, Robert Montgomery, Franchot Tone, and Edna Mae Oliver. This is the type of film that has the hero with a name like "Sherry". People go to night clubs, and to fancy restaurants, and take drives in Central Park at night (it is, after all, the 1930s).

The film is a bore - it occasionally amuses because of the cast, but the dialog is brittle for the sake of brittle. It is Noel Coward's world but not the real wit he brought - Coward's best plays show a streak of harshness and mutual malevolence mixed with affection in his couples like Amanda and Elyot in "Private Lives". They also tend to be smarter than the characters here.

Also the characters are not all that amusing nowadays. Montgomery's cousin is Charlie Ruggles, who is constantly drunk. Ruggles is a favorite comedian to me, but here he was dull. Reginald Denny is around as a British version of Ralph Bellamy - an available alter-suitor to Montgomery for Crawford, and while Denny is elegant (in a skittish sort of way) he is not at all as amusing as Ralph Bellamy was in "His Girl Friday" or The Awful Truth".

After watching this film I stopped to consider the three leads. Montgomery was typecast for most of the 1930s (except for an occasional film like "The Big House") as a happy, amoral socialite. Nobody really played the upper-crust cad as well as he did, but he got bored by it, and fought for meatier parts - and after his brilliant Danny in "Night Must Fall" he got them. Crawford reveled in parts like the hard-working lower class girl fighting her way to happiness, but she did many "socialite" parts as well. Along came "The Women", and she played a villainous social climber. After that came the really hard-boiled darker parts of the 1940s and 1950s like "Mildred Pierce" and "A Woman's Face" and "Flamingo Road". Tone, in 1935, would start having roles like Bryam in "Mutiny On The Bounty" - like Montgomery he would play his wealthy cads, but he would be able to step into nastier, meatier roles like "The Phantom Lady" and "The Man On The Eiffel Tower". When one talks to their fans about the great work of these three actors, it is the films where they played characters with demons after them that are recalled. Few really recall a piece of meaningless cotton candy like "No More Ladies" regarding any of them.


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