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No More Ladies (1935)
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Overview
User Rating:
Release Date:
14 June 1935 (USA) moreTagline:
These Deep-Sea Divers are always in hot water...with the ladies! morePlot:
A society girl tries to reform her playboy husband by making him jealous. | add synopsisUser Comments:
Tiresome romantic comedy moreCast
(Complete credited cast)| Joan Crawford | ... | Marcia Townsend Warren | |
| Robert Montgomery | ... | Sheridan Warren | |
| Charles Ruggles | ... | Edgar Holden (as Charlie Ruggles) | |
| Franchot Tone | ... | Jim 'Jimsy Boysie' Salston | |
| Edna May Oliver | ... | Mrs. Fanny 'Grandma' Townsend | |
| Gail Patrick | ... | Therese Germane | |
| Reginald Denny | ... | Oliver Allen | |
| Vivienne Osborne | ... | Lady Diana Knowleton | |
| Joan Fontaine | ... | Caroline 'Carrie' Rumsey (as Joan Burfield) | |
| Arthur Treacher | ... | Lord 'Ducky' Knowleton | |
| David Horsley | ... | Mr. James McIntyre Duffy | |
| Jean Chatburn | ... | Sally French | |
| rest of cast listed alphabetically: | |||
| E.J. Babille | ... | Desk Clerk (as E.J. Babiel) | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
80 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Sound System)Certification:
USA:Approved (PCA #89)Fun Stuff
Trivia:
The play opened in New York City, New York, USA on 23 January 1934 and had 176 performances. In the cast were Melvyn Douglas and Lucile Watson. moreQuotes:
Marcia Townsend Warren: Alas, good sir, he's made no proposals to me, improper or otherwise.Edgar Holden: [to Sherry] You. What's the matter with you, you slipping?
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Soundtrack:
All I Do Is Dream Of You moreFAQ
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Discuss this movie with other users on IMDb message board for No More Ladies (1935)| Recent Posts (updated daily) | User |
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| Hal LeSeur? | mikhail080 |
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You've seen it all before, folks--another tiresome romantic comedy, unredeemed by an accomplished cast and the trademark MGM gloss. Joan Crawford is especially wasted in the airy proceedings; her dramatic intensity has no outlet here, and she is forced to rely on her lesser skills as a sophisticated comedienne. This is Carole/Claudette/Irene territory, and, although Joan can give these ladies cards in spades when it comes to glamour, she lacks their lighter touch. I suspect two forces were at work here: the Production Code of 1933, which forced out earthy drama and bawdy comedy and pushed stars like Harlow and Crawford into fluff, and the "Norma" syndrome at MGM, which forced Crawford to take Norma's castoff parts. (No wonder Joan ended up "box-office poison" shortly after pictures like this alienated her fan base!) If you'd like to see Joan in comedies more suited to her persona, check out her splendidly bitchy Crystal in "The Women", or as the clueless Susan in "Susan and God".