Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Betty thinks she loves Stacey, but when their elopement is foiled by her father she realizes that is was Terry she was really meant for. This is bad news for her sister Mary Jane, who also ... See full summary »
John Francis Dillon
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
Producer Irving Thalberg would often call people in for meetings, and then keep them waiting in his office for hours while he attended other meetings on the MGM lot. One day, during pre-production for this picture, Thalberg kept The Marx Brothers waiting for several hours in his secretary's office while he was in his own office making phone calls. When Thalberg's secretary went home for the day, the brothers decided they'd had enough. They pushed the office file cabinets against Thalberg's door, trapping the producer in his office. Afterwards, Thalberg kept his appointments with the Marx Brothers, but would often interrupt his meetings with them and step out to attend other meetings--again keeping the brothers waiting for hours. One day Thalberg came back from another meeting to find Groucho Marx, Chico Marx and Harpo Marx sitting in his office completely naked, and roasting potatoes on sticks in his office fireplace. Thalberg sat down with them, had a potato and never missed or interrupted another meeting with the Marx Brothers. See more »
This film is the first and probably the best Marx Brothers film made by MGM. Unlike later MGM/Marx collaborations, this film has energy and creativity. However, it also has LOTS of singing--hence, the title of the movie. That means in addition to the usual Chico and Harpo songs, there is a lot of operatic-type stuff from the duo of Jones and Carlisle. For me, these songs were frankly the low-point of the picture, but for some dumb reason, Hollywood's conventional wisdom was that comedies MUST have musical numbers to be appreciated by wider audiences. This same formula was foisted upon WC Fields, Abbott and Costello and even Laurel and Hardy. However, this movie is th rare exception that is STILL good in spite of the pointless songs.
14 of 20 people found this review helpful.
Was this review helpful to you?