The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
Screenwriter Al Boasberg was brought on to punch up some of the jokes and add some new scenes to the film, his most notable contribution is the now-famous stateroom scene. However, producer Irving Thalberg frequently hounded Boasberg to complete his material, much to his annoyance. Boasberg finally called Thalberg to let him know that his material was ready, and that he could come get the script in his office. When Thalberg and The Marx Brothers showed up to Boasberg's office, they found no script and no Boasberg. The men searched the office to no avail and were about to give up when Groucho Marx happened to look up and find the script ripped to shreds and nailed to the ceiling. According to Groucho, it took the men hours to piece together to script, but they were quite pleased with Boasberg's work once they had restored it. See more »
When Rosa is singing to Ricardo from the rail of the ship, she puts her handbag and gloves down on the rail to her left. In the next shot of her, they are gone. See more »
And what was it you wanted to see me about?
I suppose I sent for you?
Well you meant to. Didn't she, Marie?
See more »
"A Night at the Opera" is great Marx Brothers entertainment. It has comedy, music, and a good cast - everything except Zeppo, who by this time had left the act. It fully deserves its reputation as one of the two best Marx Brothers films, along with "Duck Soup".
"A Night at the Opera" is probably slightly less funny than "Duck Soup" (it is no criticism to say that of any film), but it has more of a story to connect the great comic bits. There is a good supporting cast in both films
here Sig Ruman is especially funny, in addition to the perennial Margaret
Dumont. It also has several fairly long musical interludes - some are operatic, but the most entertaining is Chico and Harpo's impromptu shipboard entertainment.
Of course, the real attraction in any of these films is the comedy, and there are some memorable bits in this one. The contract negotiations between Chico and Groucho, and the scene in Groucho's stateroom, are especially hilarious, and you have to see the stateroom scene more than once to catch everything. And for sustained zany humor, the climactic sequence at the opera might be the funniest part of all.
This is certainly a must for Marx Brothers fans.
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