After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <firstname.lastname@example.org>
When Driftwood, Fiorello, and Ricardo are impersonating the three aviators in front of the mayor, Driftwood turns around to speak to them in a "foreign language." What is actually being said is a direct response to the accusations of impostors, only the audio track is played backwards. The first time Driftwood actually says, "Did you hear what he said? He said you were frauds and impostors!" which is then followed by Fiorello and Ricardo protesting loudly, "How can he say a thing like that?", "This is ridiculous," and other such comments. See more »
When Otis Driftwood arrives at his "suite" on the boat, the first time he enters, the room is small.
And in the next shots of the room, we see that the room is a little bigger.
The pipe that's in the room is closer to the back wall in the first version of the room, and more in the middle in the second version.
There's also a 2 light wall sconce in the big room that doesn't appear in the small one. See more »
This is probably the best Marx Brothers film. It is certainly my favorite. The brothers destroy pomposity and pretension by the ton. The pieces of comic business were worked out through many live theater performances before the scenes were finally filmed. This craftsmanship never shows, but it pays off completely. The stateroom scene is a classic, and the total devastation of the opera is a delicious piece of craziness.
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