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A Night at the Opera (1935)

8.1
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Ratings: 8.1/10 from 21,430 users  
Reviews: 130 user | 55 critic

A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Directors:

, (uncredited)

Writers:

(screen play), (screen play), 7 more credits »
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Title: A Night at the Opera (1935)

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Cast

Complete credited cast:
...
...
...
...
Rosa
...
Ricardo
Walter Woolf King ...
Lassparri (as Walter King)
Sig Ruman ...
Gottlieb (as Siegfried Rumann)
...
Edward Keane ...
Captain
Robert Emmett O'Connor ...
Henderson (as Robert Emmet O'Connor)
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Storyline

The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Don't miss it! The funniest picture ever made!

Genres:

Comedy | Music | Musical

Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

15 November 1935 (USA)  »

Also Known As:

Uma Noite na Ópera  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1948 re-release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Sig Ruman makes his first of three appearances in The Marx Brothers films. See more »

Goofs

When Otis Driftwood is sitting on top of the steamer trunk being pushed by the porter and has the porter stop in front of Rosa's cabin so he can go inside, he's wearing a hat. In the next shot, from inside Rosa's room as he enters it, he's not wearing a hat. When he leaves Rosa's room and goes to Mrs. Claypool's room he's still not wearing a hat, but after he leaves Mrs. Claypool's room and we cut to the next scene which is Driftwood entering his stateroom, he's wearing a hat again. See more »

Quotes

Mrs. Claypool: If you had any real feeling for me you'd stop associating with the kind of riffraff I've seen you going around with.
Otis B. Driftwood: You mean Gottlieb?
Mrs. Claypool: I mean those two uncouth men I saw you around the opera house with. I'm very grateful they're not on board the boat.
Otis B. Driftwood: [gets up from his chair, concerned] Why, have they slipped off?
Mrs. Claypool: [pulls him back into his chair] Sit down!
See more »

Connections

Referenced in O Brother, Where Art Thou? (2000) See more »

Soundtracks

Cosi-Cosa
(1935)
Music by Bronislau Kaper (as Kaper) and Walter Jurmann (as Jurman)
Lyrics by Ned Washington
Sung by Allan Jones (uncredited)
Danced by chorus
See more »

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User Reviews

 
I Appreciate This One Now!
21 October 2006 | by (United States) – See all my reviews

I didn't fully appreciate this film until my second viewing. Now I think it's one of the better Marx Brothers film. The film - filled with funny lines - has all the familiar MB trappings: good slapstick, good and bad jokes and routines, wild scenes, several musical numbers and general overall chaos.

The only thing not appealing to me in the film were some of the songs - not all, just some. Otherwise, it was all fun as Groucho, Chico and Harpo all share humorous lines and/or sight gags. Kitty Carlisle doesn't offer much in the way of a young beauty but it was still interesting to see her at this age as I had only known her through her "To Tell The Truth" television days. Alan Jones, meanwhile, is a pleasing singer and a nice guy, as always.

This is the film with the famous scene involving a ton of people being stuffed into Groucho's small cabin room. It's more amazing than funny. My favorite scenes were when Groucho and Chico got into discussions and trade lines back-and- forth. I also laughed heartily at the finale with Harpo swinging like Tarzan at the opera house.

In all, a funny MB film, one of the boys' better efforts. I play it with the English subtitles so as not to miss any of the great lines of dialog in here.


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