The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Betty thinks she loves Stacey, but when their elopement is foiled by her father she realizes that is was Terry she was really meant for. This is bad news for her sister Mary Jane, who also ... See full summary »
John Francis Dillon
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <firstname.lastname@example.org>
Groucho Marx does a very brief Jack Benny impression in the film. After Otis P. Driftwood makes the speech to the audience, Groucho gestures to the orchestra pit and says, "Play, Don!" This is a Benny line from the radio series; his orchestra leader, Don Bestor, was always cued this way (by the way, Bestor originated the J-e-l-l-O jingle for the Benny show). See more »
When Harpo Marx is playing the harp, he is whistling. The fourth time he whistles, we hear his whistle but he doesn't move his mouth until about a second later. See more »
You got some mail for me?
Mail for you? You don't work here.
Well where am I gonna get my mail? I no work anyplace.
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This is probably the best Marx Brothers film. It is certainly my favorite. The brothers destroy pomposity and pretension by the ton. The pieces of comic business were worked out through many live theater performances before the scenes were finally filmed. This craftsmanship never shows, but it pays off completely. The stateroom scene is a classic, and the total devastation of the opera is a delicious piece of craziness.
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