The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <firstname.lastname@example.org>
A persistent rumor involves the presence of The Marx Brothers' father, Sam Marx (aka "Frenchie"), in the film as the ship leaves dock. He is not in this film - he died in 1933. The rumor came about because he had a cameo in a similar scene in Monkey Business (1931). See more »
The elevator operator uses the old movie trick of rising from a squatting position to make it appear that the car is rising from the ground floor. Unfortunately, the white elevator certificate over his left shoulder remains motionless the entire time. See more »
Along with "Duck Soup" this is the Marx Brothers best movie
Classic comedy involving Otis P. Driftwood (Groucho Marx) trying to get Mrs. Claypool (Margaret Dumont) into high society--and romancing her to get her money. He figures opera is the best way and gets involved with Chico, Harpo and rising opera singers Rosa Castaldi (Kitty Carlisle) and Ricardo Baroni (Allan Jones).
The plot doesn't really matter too much--it's just a jumping off point for the Marx Brothers to stage one hysterical scene after another. The jokes fly fast and furious and there are quite a few standout scenes: Chico and Groucho negotiating a contract; the infamous stateroom scene; Harpo, Chico and Jones impersonating three airmen; the brothers fooling a policeman by switching furniture from room to room and the total destruction of the opera "Il Travatore" at the end.
This is also one of the few Marx Brothers movies that's not destroyed by an unnecessary romance or lousy sings. Carlisle and Jones make an engaging couple and the two big songs--"Cosi Cosa" and "Alone"--are actually pretty good. "Alone" actually became a big hit back when this movie was released. The only bad points here are Chico and Harpos obligatory piano and harp solos--but those are small points in the whole movie.
I'm really surprised this isn't in IMDb's top 100 movies--this is a true comedy classic. A 10 all the way.
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