After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
Kitty Carlisle and Allan Jones, who were both trained in operatic singing, provided their own singing voices in the film. Walter Woolf King was a trained baritone but he portrayed a tenor in the film. His singing was dubbed by Metropolitan Opera tenor Tandy MacKenzie. See more »
When Harpo Marx is playing the harp, he is whistling. The fourth time he whistles, we hear his whistle but he doesn't move his mouth until about a second later. See more »
[upon seeing a cast member made up to appear hideously ugly]
Otis B. Driftwood:
Boogie, boogie, boogie. How would you like to feel the way she looks?
See more »
"A Night at the Opera" is great Marx Brothers entertainment. It has comedy, music, and a good cast - everything except Zeppo, who by this time had left the act. It fully deserves its reputation as one of the two best Marx Brothers films, along with "Duck Soup".
"A Night at the Opera" is probably slightly less funny than "Duck Soup" (it is no criticism to say that of any film), but it has more of a story to connect the great comic bits. There is a good supporting cast in both films
here Sig Ruman is especially funny, in addition to the perennial Margaret
Dumont. It also has several fairly long musical interludes - some are operatic, but the most entertaining is Chico and Harpo's impromptu shipboard entertainment.
Of course, the real attraction in any of these films is the comedy, and there are some memorable bits in this one. The contract negotiations between Chico and Groucho, and the scene in Groucho's stateroom, are especially hilarious, and you have to see the stateroom scene more than once to catch everything. And for sustained zany humor, the climactic sequence at the opera might be the funniest part of all.
This is certainly a must for Marx Brothers fans.
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