The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
Sam Wood's stuffiness made him the perfect target for The Marx Brothers. The director had an ulcer, so he started each day with a big glass of milk. The brothers began to have it delivered to him in a baby bottle - a joke Wood never got. He also imposed a fine for being late to the set, which Groucho was in favor of at first. But Chico and Harpo nailed their brother's garage door shut, making him the first to pay the $50 penalty. Then the three turned the penalty into a game, betting on who would be the next to be fined. Wood eventually abandoned the idea. See more »
When Tomasso, Ricardo, and Fiorello are about to give their speech, the mayor's tie is crooked. After Chico's speech, his tie is straight. See more »
This film is the first and probably the best Marx Brothers film made by MGM. Unlike later MGM/Marx collaborations, this film has energy and creativity. However, it also has LOTS of singing--hence, the title of the movie. That means in addition to the usual Chico and Harpo songs, there is a lot of operatic-type stuff from the duo of Jones and Carlisle. For me, these songs were frankly the low-point of the picture, but for some dumb reason, Hollywood's conventional wisdom was that comedies MUST have musical numbers to be appreciated by wider audiences. This same formula was foisted upon WC Fields, Abbott and Costello and even Laurel and Hardy. However, this movie is th rare exception that is STILL good in spite of the pointless songs.
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