After two sailors are conned into buying a lame race-horse, they go ashore to sort out the problem, but when they realize that the horse is one of a pair of identical twins, their plan for revenge becomes more complicated.
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
In 2008, a film student reported that the Hungarian National Film Archive possesses a longer print of the film. While the print does not contain the opening musical number, it does contain several excised lines referencing Italy that had been cut upon the film's re-release in the 1940s. With the opening number still missing, it may be that this scene was cut after its original preview screenings during the 1930s rather than during its re-release, as previously thought. However, the discovery of the Hungarian print has not yet been independently verified, and Warner Brothers, who owns the rights to the film, has not indicated that any restoration is forthcoming. See more »
When Rosa is singing to Ricardo from the rail of the ship, she puts her handbag and gloves down on the rail to her left. In the next shot of her, they are gone. See more »
What do you mean by humiliating me in front of all of those people? You're fired! Do you understand? You're fired!
Otis B. Driftwood:
Hey, you big bully. What's the idea of hitting that little bully?
Will you kindly let me handle my own affairs? Get out!
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I didn't fully appreciate this film until my second viewing. Now I think it's one of the better Marx Brothers film. The film - filled with funny lines - has all the familiar MB trappings: good slapstick, good and bad jokes and routines, wild scenes, several musical numbers and general overall chaos.
The only thing not appealing to me in the film were some of the songs - not all, just some. Otherwise, it was all fun as Groucho, Chico and Harpo all share humorous lines and/or sight gags. Kitty Carlisle doesn't offer much in the way of a young beauty but it was still interesting to see her at this age as I had only known her through her "To Tell The Truth" television days. Alan Jones, meanwhile, is a pleasing singer and a nice guy, as always.
This is the film with the famous scene involving a ton of people being stuffed into Groucho's small cabin room. It's more amazing than funny. My favorite scenes were when Groucho and Chico got into discussions and trade lines back-and- forth. I also laughed heartily at the finale with Harpo swinging like Tarzan at the opera house.
In all, a funny MB film, one of the boys' better efforts. I play it with the English subtitles so as not to miss any of the great lines of dialog in here.
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