A Night at the Opera (1935)

Director:

Sam Wood

Writers:

James Kevin McGuinness (story)
George S. Kaufman (screenplay) ...

Release Date:

15 November 1935 (USA)

Genre:

Comedy | Romance | Musical

Tagline:

Don't miss it! The funniest picture ever made!

Plot:

A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Plot Keywords:

Steamer Trunk | Port Hole | Farce | Marx Brothers | Opera

Awards:

1 win

Cast

Groucho Marx	...	Otis B. Driftwood
Chico Marx	...	Fiorello
Harpo Marx	...	Tomasso
Kitty Carlisle	...	Rosa Castaldi
Allan Jones	...	Ricardo Baroni
Walter Woolf King	...	Rodolfo Lassparri (as Walter King)
Sig Ruman	...	Herbert Gottlieb (as Siegfried Rumann)
Margaret Dumont	...	Mrs. Claypool
Edward Keane	...	Captain
Robert Emmett O'Connor	...	Henderson (as Robert Emmet O'Connor)

Runtime:

96 min | USA:91 min (1948 re-release)

Country:

USA

Language:

English | Italian

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Sound System)

Certification:

South Korea:12 (2004) | USA:Approved (certificate #1613) | Argentina:Atp | Australia:G | Finland:S | UK:U

Filming Locations:

Los Angeles, California, USA

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

A total of 15 people were in the famous stateroom scene:

• Driftwood (1)
• the stowaways Fiorello, Tomasso and Riccardo [who were in the trunk] (2-4)
• two chambermaids (5-6)
• an engineer who comes to turn off the heat (7)
• a manicurist (8)
• the engineer's burly assistant (9)
• a young woman looking for her Aunt and asking to use the phone (10)
• a cleaning woman (11)
• and four staff stewards bearing trays of food (12-15).
• They all tumble out when Mrs. Claypool (Margaret Dumont) opens the door.

Goofs:

Continuity: During the antics on stage during the opera, a battleship backdrop falls into the scene. But just seconds later, the battleship backdrop has vanished.

Quotes:

Henderson: Hey, who were you talking to?
Otis B. Driftwood: I was talking to myself, and there's nothing you can do about it. I've had three of the best doctors in the East.

Movie Connections:

Referenced in "The Bob Newhart Show: Bum Voyage (#1.23)" (1973)

Soundtrack:

Santa Lucia

The best Marx Brothers film, the best comedy, the best everything

"A Night at the Opera" is one of those films you can see dozens of times and laugh just as hard as you did the first time. The brothers get mixed up with an opera company and a divo and diva in love - Allan Jones and Kitty Carlisle, and trying to get the two to perform together.

The one-liners come so fast - you keep thinking you'll remember them, but one is funnier than the next. I do remember what Groucho says when he sees the gypsy Azucena in the opera, however. "How would you like to feel how she looks?" The stateroom scene is, of course, a classic, and my favorite part is when Groucho tells the housekeeper, "I want two pillows on that bed" and Harpo sound asleep and being moved everywhere, including onto a tray of food.

But nothing beats the last half hour - the performance of "Il Trovatore" with Harpo using the stage ropes like Tarzan, and Chico playing baseball in the orchestra while Groucho sells peanuts. They have replaced part of the overture with "Take Me Out to the Ball Game."

Allan Jones plays the tenor Ricardo Baroni who is hoping for his break. Why they cast the blond Jones as a tenor named Baroni - well, there you go. He sings very well and is quite handsome. Kitty Carlisle is the diva waiting, petite and pretty and singing music out of her vocal type, with the exception of "Alone." "Stridono lassu" and Leonora in Trovatore were both much too heavy for her. She does sing well and what a woman - she's still alive and recently performed at a New York supper club recently at the age of 95.

The only problem with any Marx Brothers film is that when they aren't in front of the camera, suddenly their films become very slow. Because I was trained in opera and have some interest in it, this was less the case than with some of their other films. They were too magical, too energetic, and too darn funny to ever share a spotlight with anyone else. Thank goodness they did, though, as they left us with many treasures. This is one.