The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Lieutenant Niki of the Austrian royal guard has a new girlfriend, Franzi. He's crazy about her and is smiling at her while on duty in the street. King Adolf and his daughter Princess Anna ... See full summary »
Mimi Glossop wants a divorce so her Aunt Hortense hires a professional to play the correspondent in apparent infidelity. American dancer Guy Holden meets Mimi while visiting Brightbourne (... See full summary »
Betty thinks she loves Stacey, but when their elopement is foiled by her father she realizes that is was Terry she was really meant for. This is bad news for her sister Mary Jane, who also ... See full summary »
John Francis Dillon
The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <email@example.com>
In the scene where Harpo Marx, Chico Marx and Allan Jones are impersonating the three aviators in front of the mayor, Groucho Marx turns around to speak to them in a "foreign language." What is actually being said is a direct response to the accusations of imposters, only the audio track is played backwards. The first time Groucho Marx actually says, "Did you hear what he said? He said you were frauds and imposters!" which is then followed by Chico Marx and Riccardo protesting loudly, "How can he say a thing like that?", "This is ridiculous," and other such comments. See more »
When Otis Driftwood arrives at his "suite" on the boat, the first time he enters, the room is small. And in the next shots of the room, we see that the room is a little bigger. The pipe that's in the room is closer to the back wall in the first version of the room, and more in the middle in the second version. There's also a 2 light wall sconce in the big room that doesn't appear in the small one. See more »
This film is the first and probably the best Marx Brothers film made by MGM. Unlike later MGM/Marx collaborations, this film has energy and creativity. However, it also has LOTS of singing--hence, the title of the movie. That means in addition to the usual Chico and Harpo songs, there is a lot of operatic-type stuff from the duo of Jones and Carlisle. For me, these songs were frankly the low-point of the picture, but for some dumb reason, Hollywood's conventional wisdom was that comedies MUST have musical numbers to be appreciated by wider audiences. This same formula was foisted upon WC Fields, Abbott and Costello and even Laurel and Hardy. However, this movie is th rare exception that is STILL good in spite of the pointless songs.
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