The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by
John Vogel <firstname.lastname@example.org>
The elevator operator uses the old movie trick of rising from a squatting position to make it appear that the car is rising from the ground floor. Unfortunately, the white elevator certificate over his left shoulder remains motionless the entire time. See more »
Otis B. Driftwood:
[talking about "the greatest tenor in the world"]
Do you know America is waiting to hear him sing?
Well, he can sing loud, but he can't sing that loud.
Otis B. Driftwood:
Well, I think I can get America to meet him halfway.
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I didn't fully appreciate this film until my second viewing. Now I think it's one of the better Marx Brothers film. The film - filled with funny lines - has all the familiar MB trappings: good slapstick, good and bad jokes and routines, wild scenes, several musical numbers and general overall chaos.
The only thing not appealing to me in the film were some of the songs - not all, just some. Otherwise, it was all fun as Groucho, Chico and Harpo all share humorous lines and/or sight gags. Kitty Carlisle doesn't offer much in the way of a young beauty but it was still interesting to see her at this age as I had only known her through her "To Tell The Truth" television days. Alan Jones, meanwhile, is a pleasing singer and a nice guy, as always.
This is the film with the famous scene involving a ton of people being stuffed into Groucho's small cabin room. It's more amazing than funny. My favorite scenes were when Groucho and Chico got into discussions and trade lines back-and- forth. I also laughed heartily at the finale with Harpo swinging like Tarzan at the opera house.
In all, a funny MB film, one of the boys' better efforts. I play it with the English subtitles so as not to miss any of the great lines of dialog in here.
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