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A Night at the Opera (1935)

8.1
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Ratings: 8.1/10 from 21,921 users  
Reviews: 131 user | 53 critic

A sly business manager and two wacky friends of two opera singers help them achieve success while humiliating their stuffy and snobbish enemies.

Directors:

, (uncredited)

Writers:

(screen play), (screen play), 7 more credits »
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Title: A Night at the Opera (1935)

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Cast

Complete credited cast:
...
...
...
...
...
Ricardo
Walter Woolf King ...
Lassparri (as Walter King)
Sig Ruman ...
Gottlieb (as Siegfried Rumann)
...
Edward Keane ...
Captain
Robert Emmett O'Connor ...
Henderson (as Robert Emmet O'Connor)
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Storyline

The Marx Brothers take on high society. Two lovers who are both in opera are prevented from being together by the man's lack of acceptance as an operatic tenor. Pulling several typical Marx Brothers' stunts, they arrange for the normal tenor to be absent so that the young lover can get his chance. Written by John Vogel <jlvogel@comcast.net>

Plot Summary | Plot Synopsis

Taglines:

Don't miss it! The funniest picture ever made!

Genres:

Comedy | Music | Musical

Certificate:

TV-G | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

15 November 1935 (USA)  »

Also Known As:

Uma Noite na Ópera  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (1948 re-release)

Sound Mix:

(Western Electric Sound System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The first film of The Marx Brothers that doesn't have Zeppo Marx. See more »

Goofs

Harpo slips a violoncello part to "Take Me Out to the Ball Game" into the clarinet book for "Il Trovatore." A clarinetist would be unable to read, let alone play, a violoncello part. See more »

Quotes

Henderson: You live here all alone?
Otis B. Driftwood: Yes. Just me and my memories. I'm practically a hermit.
Henderson: Oh. A hermit. I notice the table's set for four.
Otis B. Driftwood: That's nothing - my alarm clock is set for eight. That doesn't prove a thing.
See more »

Connections

Referenced in That's So Raven: A Fight at the Opera (2003) See more »

Soundtracks

Il Trovatore: Di quella pira
(1853) (uncredited)
Music by Giuseppe Verdi
Libretto by Leone Emanuele Bardare and Salvatore Cammarano
Sung by Walter Woolf King
with The MGM Symphony Orchestra
See more »

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User Reviews

 
The best Marx Brothers film, the best comedy, the best everything
1 January 2007 | by (United States) – See all my reviews

"A Night at the Opera" is one of those films you can see dozens of times and laugh just as hard as you did the first time. The brothers get mixed up with an opera company and a divo and diva in love - Allan Jones and Kitty Carlisle, and trying to get the two to perform together.

The one-liners come so fast - you keep thinking you'll remember them, but one is funnier than the next. I do remember what Groucho says when he sees the gypsy Azucena in the opera, however. "How would you like to feel how she looks?" The stateroom scene is, of course, a classic, and my favorite part is when Groucho tells the housekeeper, "I want two pillows on that bed" and Harpo sound asleep and being moved everywhere, including onto a tray of food.

But nothing beats the last half hour - the performance of "Il Trovatore" with Harpo using the stage ropes like Tarzan, and Chico playing baseball in the orchestra while Groucho sells peanuts. They have replaced part of the overture with "Take Me Out to the Ball Game."

Allan Jones plays the tenor Ricardo Baroni who is hoping for his break. Why they cast the blond Jones as a tenor named Baroni - well, there you go. He sings very well and is quite handsome. Kitty Carlisle is the diva waiting, petite and pretty and singing music out of her vocal type, with the exception of "Alone." "Stridono lassu" and Leonora in Trovatore were both much too heavy for her. She does sing well and what a woman - she's still alive and recently performed at a New York supper club recently at the age of 95.

The only problem with any Marx Brothers film is that when they aren't in front of the camera, suddenly their films become very slow. Because I was trained in opera and have some interest in it, this was less the case than with some of their other films. They were too magical, too energetic, and too darn funny to ever share a spotlight with anyone else. Thank goodness they did, though, as they left us with many treasures. This is one.


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