When he runs short of money, a newspaper reporter pawns a police revolver he was given after he helped the police solve a case. Later on the gun is used in a murder, and the reporter is suspected of committing the crime.
In flashback from a 'Rebecca'-style beginning: Ellen Foster, visiting her aunt on the California coast, meets neighbor Jeff Cohalan and his ultramodern clifftop house. Ellen is strongly ... See full summary »
Nicole has no job and is several weeks behind with her rent. Her solution to her problem is to try and snare a rich husband. Enlisting the help of her friend Gloria and the maitre'd at a ... See full summary »
Douglas Fairbanks Jr.,
The first of three Pine-Thomas productions for Chester Morris finds him as wise-cracking private detective Humphrey Campbell who impresses his boss, Oscar Flack, no end by not only finding ... See full summary »
A soldier stationed on an army base and his fiancé, who runs a women's "fat farm" nearby, want to get married but don't have enough money. Three customers of the "fat farm" scheme to get ... See full summary »
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Larry Doyle, a reporter fond of hard-and-much drinking, insults his city editor on one of his drunken sprees. When he alter awakens, he finds he is on a train bound for St. Louis, and has one dollar and a revolver in his pocket. He also finds he is involved in some kind of crime plot, and a whirlwind romance with a cutie named Anne Olgivie. He sets out to resolve both issues. Written by
Les Adams <firstname.lastname@example.org>
A quick but mediocre caper film with a news reporter in a clumsy leading role
The Mystery Man (1935)
Well this is a fast hoot, and not a good movie by any means. It has a chipper tone and some comic twists, but the acting, the acting.
The core idea is good--a news reporter with a thankless editor gets caught up in a story while on leave from his Chicago paper. But the St. Louis newspaper won't believe he's a reporter, and he gets stranded and eventually accused. Luckily his buddies back home help out, and even better, a pretty girl is also stranded and helpless and good for moral support and some cleverness in the nick of time. Coulda been something.
It's not like 1935 is too early for a snappy, intelligent crime detective caper film. We've already had a string of absolute classics from Warner Bros. in the early 30s, and we're seeing the beginning of the "Thin Man" series with its high level of sophistication. But this is a B-movie through and through, and I guess there is only so much talent to go around.
You would do better plodding through the worst of the Mr. Moto or the Charlie Chan films than this one.
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