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Steve Grey, reporter for the Daily Star, has a habit of scooping all the other papers in town. When Henry Mander is investigated for the murder of his shady business partner, Grey is one step ahead of the police to the extent that he often dictates his story in advance of its actual occurrence. He leads the police through an 'open and shut' case resulting in Mander being tried, convicted and sentenced to death. Columnist Mary Shannon is in love with Steve but she sees him struggle greatly with his last story before Mander's execution. When she starts typing out the story from his recorded dictation, she realizes why. Written by
Gary Jackson <email@example.com>
This film was first telecast in Los Angeles Thursday 28 February 1957 on KTTV (Channel 11) and in Philadelphia Tuesday 8 October 1957 on WFIL (Channel 6); its initial airings in New York City occurred 5 July 1959 on WCBS (Channel 2) and in San Francisco 30 November 1959 on KGO (Channel 7). See more »
Spencer Tracy is the title character. He is a newspaper's ace crime reporter in this very good movie that could have been great.
I've read quite a lot about Tracy's life. The character he plays seems to have many traits and behavioral patterns in common with the real Spencer Tracy, who was apparently a far darker person than many of the benevolent roles he played.
This moves along at a good clip. At times it's upsetting, at others it's exciting.
Virginia Bruce is the lonely-hearts columnist at the paper. She has crush on Tracy but he has secrets and a past that have kept him from allowing a relationship to develop. (A couple years earlier, before the Code, it well might have developed anyway.) Bruce was a beautiful woman, with a poignant, ethereal quality. Here, however, she is unflatteringly costumed, made-up, and/or lit. She comes across more as a mannish, dowdy old maid schoolteacher than the romantic leading lady she was.
"Fury" is not a sunny movie, to say the least. This is another movie that shows a different Tracy we know from his two 1930s Oscar-winning roles, the collaborations with Katharine Hepburn, and "Father of the Bride" and its sequel.
The very darkest of all his movies, however, is "The People Against O'Hara." I consider that one a classic. This is not quite a classic but it's unique and gripping.
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