6.1/10
147
4 user 1 critic

Munkbrogreven (1935)

Not Rated | | Comedy, Romance | 21 January 1935 (Sweden)
In one of the narrow streets of the Old town of Stockholm lies hotel City. It's inhabited by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Göransson is ... See full summary »

Directors:

, (uncredited)

Writers:

(play), (play) | 1 more credit »
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Cast

Complete credited cast:
Valdemar Dalquist ...
Greven (as Waldemar Dalquist)
...
Klara (as Julia Caesar)
...
Gurkan
Tollie Zellman ...
Amalia
...
Åke
...
Elsa
Eric Abrahamsson ...
Borstis (as Eric Abrahamson)
Weyler Hildebrand ...
Göransson
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Storyline

In one of the narrow streets of the Old town of Stockholm lies hotel City. It's inhabited by mysterious characters such as 'Greven', 'Blomman' and others. The police inspector Göransson is chasing a jewel thief, 'Diamond-Lasse'. Written by Mattias Thuresson

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Not Rated | See all certifications »
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Details

Country:

Language:

Release Date:

21 January 1935 (Sweden)  »

Also Known As:

The Count of the Old Monk's Bridge  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Featured in Ingrid Bergman: In Her Own Words (2015) See more »

Soundtracks

I gyllene bojor
(uncredited)
Music by Jules Sylvain
Lyrics by Gösta Stevens
Played and sung by the band in the yard
Played on piano and sung by Ingrid Bergman
Played as background music and whistled by the crowd at the wedding parade
Played as background music at the end
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User Reviews

 
Isn't she cute?
4 May 2002 | by (Saint Paul, MN) – See all my reviews

By all rights, this film should be lost. It's not a bad film, but it's mediocre to the extreme. A rare movie that ends up as being both confusing and predictable simultaneously. But it exists still because it was Ingrid Bergman's first speaking role in a film. And, well, she's great. She's much chubbier here than she was in later films, but as attractive as ever. She won a Best Newcomer award for the role in Sweden - deservedly. There is a nice musical number, which is reprised by Bergman later in the film. Also, the cinematography is very nice. Sweden developed that art quite nicely in the silent era, and the photography here is far nicer than is necessary. Other than that, though, the film is nothing special.


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