When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
Bob Gordon is staging a new Broadway Show, but he is short of money. He gets an offer of money by the young widow Lilian, if she can dance in his new show. Bert Keeler, a paper man, gets ... See full summary »
Tom Walker,former All-American fullback who gave up football to enter the ministry, returns to his old home town for his first assignment under the church Bishop , an old friend of his ... See full summary »
Alfred E. Green
The story begins with Jean Valjean as a humble worker endeavoring to provide for his invalid mother. They live in a squalid home, made more wretched by his inability to provide sufficient ... See full summary »
Jean Valjean is convicted for stealing bread for his family. Thus is set in motion a lifetime of fear and pain, as the police inspector Javert pursues Valjean, hounding him relentlessly ... See full summary »
Jean Valjean, a Frenchman of good character and great strength, is convicted of stealing a loaf of bread, an act that sets in motion a lifetime of misery for Valjean, as he is pursued by the uncompromising and brutal lawman Javert. Written by
Jim Beaver <email@example.com>
This is one of the few versions to give Javert a first name: Émile. See more »
At c. 38 minutes Jean Valjean arrives at the inn spotlessly clean after wallowing in mud freeing a man trapped in a coach on his way there. See more »
You never temper justice with mercy?
No, we might as well understand each other, Monsieur Madeliene. I administer the law - good, bad, or indifferent - it's no business of mine, but the law to the letter!
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This is perhaps the best screen adaptation of the Hugo novel about crime and punishment. March is terrific as Valjean, a man subjected to ten years of imprisonment for stealing a loaf of bread. As Javert, a letter-of-the-law police inspector singularly obsessed with returning Valjean to prison for missing parole, Laughton is better than in the same year's "Mutiny on the Bounty." Hardwicke is effective in a small but pivotal role while Hudson and Beal make attractive lovers. Boleslawski, who died at age 47 only two years after directing this film, generally keeps the film from turning melodramatic and benefits from Toland's fine cinematography.
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