Jean Valjean, a Frenchman imprisoned for stealing bread, must flee a police officer named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the ... See full summary »
Jean Valjean, pursued through the years for a minor infraction by the implacable policeman Javert, attempts to create a life for himself and for his adopted daughter Cosette amid the ... See full summary »
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War... See full summary »
Jean Valjean, a Frenchman of good character and great strength, is convicted of stealing a loaf of bread, an act that sets in motion a lifetime of misery for Valjean, as he is pursued by the uncompromising and brutal lawman Javert. Written by
Jim Beaver <firstname.lastname@example.org>
This is one of the few versions to give Javert a first name: Émile. See more »
Valjean's coat and cloak have dirt on them while at the White Sergeant, but is clean before and after that. See more »
[seeing an apparent stranger in the midst of the broiling student rebeels]
Who are you?
[absentmindedly as he looks in the crowd for Valjean]
What'd ya say?
I might be a spy, and I'm certainly the police.
[the students rush Javert and subdue him]
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This is perhaps the best screen adaptation of the Hugo novel about crime and punishment. March is terrific as Valjean, a man subjected to ten years of imprisonment for stealing a loaf of bread. As Javert, a letter-of-the-law police inspector singularly obsessed with returning Valjean to prison for missing parole, Laughton is better than in the same year's "Mutiny on the Bounty." Hardwicke is effective in a small but pivotal role while Hudson and Beal make attractive lovers. Boleslawski, who died at age 47 only two years after directing this film, generally keeps the film from turning melodramatic and benefits from Toland's fine cinematography.
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