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A Midsummer Night's Dream (1935)

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Ratings: 7.1/10 from 1,945 users  
Reviews: 44 user | 23 critic

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the ... See full summary »

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(by), (arranged for the screen by), 1 more credit »
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Title: A Midsummer Night's Dream (1935)

A Midsummer Night's Dream (1935) on IMDb 7.1/10

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Won 2 Oscars. Another 2 nominations. See more awards »

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Edit

Cast

Cast overview, first billed only:
Ian Hunter ...
Verree Teasdale ...
Hobart Cavanaugh ...
...
...
...
Hermia - In Love with Lysander (as Olivia de Haviland)
Jean Muir ...
Helena - In Love with Demetrius
...
Frank McHugh ...
Dewey Robinson ...
...
...
...
Otis Harlan ...
Arthur Treacher ...
Epilogue
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Storyline

Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the kingdom of fairies have a slight quarrel about whether or not the boy Titania is raising will join Titania's band or Oberon's, so Oberon tries to get him from her by using some magic. But they're not alone in that forest.Lysander and Hermina have there a rendezvous, Helena and Demetrius are there, too as well as some actors, who are practicing a play for the ongoing wedding of Theseus and Hippolyta. Due to some misunderstandings by Puck, the whole thing becomes a little bit confused... Written by Stephan Eichenberg <eichenbe@fak-cbg.tu-muenchen.de>

Plot Summary | Add Synopsis

Plot Keywords:

love | queen | play | magic | wedding | See All (45) »

Taglines:

A New Triumph In Movie History ! See more »


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

30 October 1935 (USA)  »

Also Known As:

Ein Sommernachtstraum  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

| (edited) | (with overture and exit music)

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Director of photography Hal Mohr had the trees sprayed with orange paint so that they would give off an eerie glow, enhancing the film's fairytale effect. See more »

Quotes

Flute, the Bellows-Mender: "I'll meet thee, Pyramus, at Ninny's tomb."
Quince, the Carpenter: Ninny's?
Flute, the Bellows-Mender: Ninny's.
Quince, the Carpenter: Ninny's.
Flute, the Bellows-Mender: Ninny's.
Quince, the Carpenter: "Ninus' tomb", man!
Flute, the Bellows-Mender: [Flute begins to repeat Quince's words and gestures] Ninus' tomb, man!
Quince, the Carpenter: But you must not speak that yet!
Flute, the Bellows-Mender: But you must not speak that yet!
Quince, the Carpenter: Ohhh...
[...]
See more »

Crazy Credits

The Warner Bros. "shield logo" is never seen in the credits. See more »

Connections

Version of Pyramus and Thisbe (1938) See more »

Soundtracks

Kinderstucke (Pieces for Children) no.1:Allegro non troppo
(uncredited)
Music by Felix Mendelssohn-Bartholdy
Lyrics are by William Shakespeare
Sung by James Cagney
Conducted by Leo F. Forbstein
See more »

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User Reviews

Astounding Shakespeare adaptation
17 April 1999 | by (NAS Whidbey Island, WA) – See all my reviews

Since "Shakespeare in Love" made that particular playwright happening and new, check out this, Warner Bros.' wild, expensive, free-wheeling adaptation of "A Midsummer Night's Dream".

For me, James Cagney makes the movie. He's Nick Bottom, the leader (or so he believes) of a traveling troupe of actors. He gives an invigorating performance--the screen is his. At one point, he gets to wear a donkey's head (if you know the play, you know what I'm talking about), but it doesn't faze him in the least. Cagney, the most energetic screen actor, doesn't let his over-the-top approach mar his skill or care with The Bard's great words. It's the test of anyone wishing to act out a part in a Shakespeare play, which Cagney passes, to "speak" the dialogue, and by doing so, make what might be confusing on the page understandable to audiences on the screen or stage.

Warner really spared no expense with this production, which I think might have been the costliest of that year. The whole affair is like a dream in every way--it seems to sway in the wind, fragile to the touch. It features Mendolssohn music, soft-white photography (the great Hal Mohr), and some of the most incredible sets and costumes you're likely to see in a 1930s film.

Nominated for three Academy Awards: Picture, Cinematography and Editing. Bested by "Mutiny on the Bounty" for the first, it won the other two.


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