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Metropolitan (1935)

6.7
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Ratings: 6.7/10 from 79 users  
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Opera prima donna leaves the Metropolitan to form her own company with Tibbett as leading man. She leaves this company too which means Tibbett and company must carry on without her.

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(based on the story by), (screen play by), 1 more credit »
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Title: Metropolitan (1935)

Metropolitan (1935) on IMDb 6.7/10

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Cast

Complete credited cast:
Lawrence Tibbett ...
Thomas Renwick
...
Anne Merrill
...
Ghita Galin
...
Niki Baroni
Thurston Hall ...
T. Simon Hunter
Luis Alberni ...
Ugo Pizzi
George F. Marion ...
Perontelli (as George Marion Sr.)
Adrian Rosley ...
Mr. Tolentino
Christian Rub ...
Weidel
Franklyn Ardell ...
Marco
Etienne Girardot ...
Nello
Jessie Ralph ...
Charwoman
Edit

Storyline

Opera prima donna leaves the Metropolitan to form her own company with Tibbett as leading man. She leaves this company too which means Tibbett and company must carry on without her.

Add Full Plot | Add Synopsis

Genres:

Drama | Musical | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

8 November 1935 (USA)  »

Also Known As:

Diamond Horseshoe  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

(FMC Library Print) | (copyright length)

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Several cast members in studio records/casting call lists did not appear or were not identifiable in the movie. These were (with their character names): William 'Billy' Benedict (Hotel Bellboy), Ruth Donnelly (Marina), Sarah Edwards (Old Dowager), Tom Herbert (Throat Specialist in Theatre), Hector Sarno (Italian Proprietor), Lee Phelps (Ghita's Chauffeur) and Hank Mann (Bartender). Since the film is listed as a 10-reel movie, there must have been extensive cutting to pare it down to the final 79 minutes, which would normally require only 8 reels. See more »

Connections

Featured in 20th Century-Fox: The First 50 Years (1997) See more »

Soundtracks

Faust
(1859) (uncredited)
Music by Charles Gounod
Libretto by Jules Barbier and Michel Carré
Excerpt played and sung on a radio and partially sung by Lawrence Tibbett
See more »

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User Reviews

 
Backstage opera is a change from backstage Broadway
24 March 2006 | by (United States) – See all my reviews

No one should expect a well-wrought, intricately developed plot from a film that was designed as a showpiece for the American baritone Laurence Tibbett,any more than one would expect it from a Warner's backstage musicals from the 1930s. Tibbett was one of the few stellar performers of the Metropolitan Opera who was equally at home and successful in popular music. (I believe at one time, toward the end of his opera career, he was featured on "Your Hit Parade", singing what were supposedly the five or six most popular songs of the week, judged by record sales.) At the Metropolitan Opera he played the lead in the premieres of American operas such as Merry Mount, Emperor Jones and The King's Henchmen. I believe that he made the first commercial recordings from Porgy and Bess as Porgy, using the same dialect as in this film when he sings the Negro spiritual "Glory Road" in a perhaps over-dramatic rendition. The role of Bess is sung by another Caucasian opera star. Helen Jepson,who made one more Hollywood appearance in the pathetic Goldwyn Follies.

The supporting cast of experience character actors,as often happens, manages to give the claptrap plot a measure of credibility. Virginia Bruce, the leading lady, was an actress/singer who never broke through to stardom, despite a lengthy filmography. She had a beautiful soprano voice and a lovely appearance, but did not project much warmth as in the manner of top stars, even in her one solo from Carmen, as the timid and loving Micaela. Her voice belonged in operetta, not in either opera or show business tunes. Jeanette MacDonald has the former cornered, and there were many with more sensuous voices who succeeded with the latter. But she did look terrific at the top of the "wedding cake" number in The Great Ziegfeld, the most prominent role of her career.


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