Mike Morgan creates the illusions that magicians use in their shows. While his business is Miracles for Sale, his hobby is exposing fake spiritualists. At the club, he is invited to attend ... See full summary »
In France, an insane surgeon's obsession with an actress from England leads him to replace her pianist husband's hands that got mangled in an accident with the hands of a late knife murderer which still have the urge to throw knives.
Prizefighter Mason loses his opening fight so wife Rose leaves him for Hollywood. Without her around Mason trains and starts winning. Rose comes back and wants Mason to dump his manager Regan and replace him with her secret lover Lewis.
After Sir Karell Borotin is found dead in his study, drained of his blood, the local doctor determines that he was killed by a vampire. The coroner and police Inspector Neumann dismiss the suggestion but a year later, Sir Karell's daughter is attacked and bite marks are found on her throat. Neumann calls in the eminent Professor Zelin who thinks the story of vampires is true. The locals are convinced that Count Mora and his daughter Luna are the perpetrators of the crime, creatures of the night that can turn themselves into bats. There may be another solution however and the Professor sets a trap. Written by
This film's initial telecast in Los Angeles took place Monday 27 January 1958 on KTTV (Channel 11), followed by Philadelphia 1 May 1958 on WFIL (Channel 6), by New York City 20 July 1958 on WCBS (Channel 2), and, finally by San Francisco 30 October 1959 on KGO (Channel 7). See more »
Count Mora transforms from a bat into a man. If he is just an actor, he should not be able to do this. See more »
I'm sorry gentleman and lady, but it will be best for you to stay here tonight.
Ronnie - Englishman at Inn:
Come now, my good man. You can't frighten us. We've been over your foul roads before.
Please, you do not understand. It is not the road. It is the darkness. Here, our doors are protected with bat thorns.
What is with all this bat thorn business?
It keeps them out. They're afraid of it, the demons of the castle.
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This was one of the best vampire films of the classic black-and-white era. Essentially a composite remake of "Dracula" and an earlier film called "London After Midnight" with some bizarre twists, in terms of ghoulish settings and atmosphere, particularly the cemetery scenes, and Lugosi and Borland wandering in the night, this film is second to none. There is no doubt that Bela Lugosi was the classic Dracula of the early sound period. If I were to make a list of his best 10 films, this would be one of them along with the 1931 "Dracula", the 1943 "Return of the Vampire", the 1940 "The Devil Bat" and others. Carol Borland's role as "Luna"sets the standard for "Vampira" of the 1950s and "Elvira" of the 1980s as well as "Morticia" of the Addams Family on TV. She does an excellent job in the role of a "creature of the night". And of course, Bela Lugosi as Count Mora is without peer. The entire cast including Lionel Barrymore, Lionel Atwill, Elizabeth Allen, Jean Hersholt, and others do an excellent job.
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