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The Marines Are Coming (1934)

7.3
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Ratings: 7.3/10 from 164 users  
Reviews: 6 user | 1 critic

When Lt. "Wild Bill" Traynor, bad boy of the Marine Corps, arrives at a San Diego Marine Base, he is surprised to discover he has been assigned to duty under his old rival, Captain Benton (... See full summary »

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Cast

Complete credited cast:
...
Lt. William 'Wild Bill' Traylor
Conrad Nagel ...
Capt. Edward 'Ned' Benton
...
Dorothy Manning
Armida ...
Rosita Hernández Consuelo Ibera y Buenaventura
Edgar Kennedy ...
Sgt. Buck Martin
Hale Hamilton ...
Colonel Gilroy
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Storyline

When Lt. "Wild Bill" Traynor, bad boy of the Marine Corps, arrives at a San Diego Marine Base, he is surprised to discover he has been assigned to duty under his old rival, Captain Benton (Conrad Nagel). While eluding the advances of Rosita (Armida), a Latin dancer, Bill becomes involved with Benton's fiancee, Dorothy Manning (Esther Ralston), whom he quickly wins and Benton accepts the impending marriage. On his wedding eve, Bill, in the company of Rosita, becomes involved in a fracas in a gambling joint in nearby Tia Juana. Rosita disappears and Dorothy calls off the wedding. As Dorthy sails for Latin America, Bill resigns in disgrace from the Marines, but re-enters as a Private. Ordered to duty in Ponta Miguel, Bill discovers that Dorothy's father (Hale Hamilton) is the governor. His old nemesis Benton has Bill sent to the guardhouse and Bill is vowing revenge when he is released, only to find that Benton is being held prisoner by a jungle bandit known as The Torch (George Regas.) ... Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

Taglines:

The Marines have landed...with a roll of drums...flags unfurled...ready to fight...ready for love! See more »

Genres:

Action | Drama | Romance | War

Certificate:

Approved
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Details

Country:

Language:

Release Date:

20 November 1934 (USA)  »

Also Known As:

Aí Vêm os Navais  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

(original release)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The failure of the original copyright holder to renew the film's copyright resulted in it falling into public domain, meaning that virtually anyone could duplicate and sell a VHS/DVD copy of the film. Therefore, many of the versions of this film available on the market are either severely (and usually badly) edited and/or of extremely poor quality, having been duped from second- or third-generation (or more) copies of the film. See more »

Connections

Remade as Rough Riders' Round-up (1939) See more »

Soundtracks

Semper Fidelis
(uncredited)
Music by John Philip Sousa
Played during the opening credits
Also played when the marines are marching after Traylor sends in his resignation
See more »

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User Reviews

 
Farewell, Billy
27 February 2010 | by (United States) – See all my reviews

William Haines stars with fellow silent stars, Conrad Nagel and Esther Ralston, in this rehash of several of Haines' big hits from the 1920s.

He plays a brash Marine officer, a rival with Nagel for the hand of Ralston, who sails through life with a smart comment for everybody. But after he goes too far and is drummed out of the corps, he signs up as an enlisted man, goes through boot camp, and returns to plague Nagel and Ralston until the guys get trapped in a "banana republic" uprising and Haines come through.

The Haines formula from the 20s usually cast him as a smart-aleck in a military or sports setting, but the basic plot was the same: in the end Haines "grows up" and learns a big lesson as he wins the girl.

After Haines bailed from MGM where he ranked as a major star for about 5 or 6 years, he returned for a couple of cheapie films at Mascot. Neither one was a hit and Haines disappeared from the screen.

Production values here are about what you'd expect from Mascot. The story is unbelievable, but Haines is still a master comic and breezes through the proceedings. Nagel is stalwart, Ralston is pretty. Along for the ride are Edgar Kennedy, Hale Hamilton, and the very annoying Armida.

The Haines legacy will always cast him as a gay icon, the man who quit MGM rather than give in to L.B. Mayer, and a major star of his time in films with the likes of Lon Chaney, Joan Crawford, Marie Dressler, Eleanor Boardman, Anita Page, Jack Pickford, Ben Lyon, and Madge Evans.

Haines' final film is worth a look.


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