Fields wants to sell a film story to Esoteric Studios. On the way he gets insulted by little boys, beat up for ogling a woman, and abused by a waitress. He becomes his niece's guardian when... See full summary »
Larson E. Whipsnade runs a seedy circus which is perpetually in debt. His performers give him nothing but trouble, especially Edgar Bergen and Charlie McCarthy. Meanwhile, Whipsnade's son ... See full summary »
Edward F. Cline
Tillie and Augustus Winterbottom are thought to be missionaries when they arrive to find Phineas Pratt trying cheat the Sheridans out of her father's inheritance, including a ferry ... See full summary »
Ambrose Wolfinger wants the afternoon off (his first in twenty-five years) to go to a wrestling match. He tells his boss that he must attend his mother-in-law's funeral. The afternoon is no joy. He tries to please a policeman, assist a chauffeur, chase a tire, and ends up getting hit by the body of a wrestler thrown from the ring. A series of mishaps leads his boss to send floral tributes to the house and notify the papers of the death (due to poisoned liquor). His shrewish wife, judgmental mother-in-law, and good-for-nothing brother-in-law add to his burdens. In the end he enjoys their fawning loyalty, a raise in pay, and his first vacation. Written by
Ed Stephan <email@example.com>
This was the last film directed by Clyde Bruckman. Although Bruckman's name appears on the credit, this film was actually directed by W.C. Fields, who took over after Bruckman had to quit early in the shoot due to the effects of his alcoholism. This is the only film on which Fields technically worked as his own director. See more »
At breakfast, Fields takes several bites from a piece of burnt toast. In the next shot the toast is shown in its original uneaten condition. See more »
Ambrose Wolfinger, memory expert & severely henpecked husband, sometimes feels like he's going to lose his grasp on life and fall into very deep trouble - kind of like that old MAN ON THE FLYING TRAPEZE.
W.C. Fields was at a lofty point in his career when he appeared in this hilarious little comedy. The second highest paid star at Paramount - only Mae West received more - he had just returned from MGM where he was featured as Wilkins Micawber in the all-star version of DAVID COPPERFIELD. Ill health would soon begin to stalk him again as a result of his dipsomania, but here he was wonderfully whimsical, whether dealing with spiteful in-laws, bullying traffic cops or bungling burglars in the cellar. With a handful of performances like this, Fields was to take permanent possession of a unique place in American film history.
Playing the two she-dragons Fields must face & fight are Kathleen Howard as his wife, and elderly Vera Lewis as her mother. Both excellent actresses, their scenes are waspish & wickedly funny and it is easy to see how together they could drive a normal male to distraction. It is unfortunate that these two skilled ladies are now nearly forgotten.
Grady Sutton is well cast as Fields' indolent, pouting brother-in-law; his comeuppance is richly deserved. That's Walter Brennan & Tammany Young as the crooning crooks who find themselves far from the banks of the Wabash.
It is interesting to note that the two women in the film who vigorously defend Fields also had close relationships with him outside the Studio. Mary Brian, as his daughter, was a longtime friend & neighbor of Fields. They had appeared together in the silent version of the story - RUNNING WILD - and Fields insisted on her inclusion in the talkie remake. Carlotta Monti, as Fields' faithful secretary, was also his longtime mistress. A part of his life for many years, she was at his side when he died on Christmas Day, 1946.
15 of 16 people found this review helpful.
Was this review helpful to you?