Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to...
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In this light romantic comedy, 17-year old Loretta Young is cast as Ann Harper, a wealthy socialite who has inherited a fortune provided the family is involved in no scandals appearing in ... See full summary »
Douglas Fairbanks Jr.,
Circa 1861, Angelina, ruling countess of an Italian principality, is at a loss when invaded by a Hungarian army. Her lookalike ancestress Francesca, who saved a similar situation 300 years ... See full summary »
Douglas Fairbanks Jr.,
Elizabeth, a delivery girl, dreams of being a music-hall singer but she is refused at the first casting she takes part in. A bit depressed, she gets to know Victor, a would-be Shakespearean... See full summary »
Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to drown herself in the river. She turns out to be an incompetent suicide, however, and while splashing about in the water, an apparently wealthy and dashing figure, Tony, drives up in his sports car and jumps in to save her. He takes her home to get her dry and to keep her from hurting herself--but his wealthy fiancee arrives and she assumes the worst and breaks off their engagement. Tony then reveals to Mary that he's broke, with only 300 pounds to his name. Now--each despondent--they both begin to talk of doing themselves in when tickets for Monte Carlo, which was to be his honeymoon destination, arrive. In a sudden bit of screwball inspiration, they decide to go to Monte Carlo and bet their little stake on an all or nothing bid to build a fortune for themselves. Its either win, or they both jump ... Written by
Thomas Muther, Jr (twm-2)
A lot of the recent TCM rediscoveries (and U.S. premieres!) of Warners' British productions from the 1930's are turning out to be quite good movies and not the cheap, reviled "quota quickies" of legend. This is one of them, a charming British foray into the screwball genre with some of the same sexual cheekiness American productions of the so-called "pre-Code" era (1930-34): the heroine spends a good chunk of the film in male drag and the bridal suite actually has a double bed. It's quite a bit slower than a U.S. version of the same story would have been, Margaret Lockwood's crying jags get tiresome (she'd go on to be a major British star and is best known as the female lead in Hitchcock's "The Lady Vanishes") and some musical underscoring would have helped, but on the whole this is a clever and amusing film. Douglas Fairbanks, Jr., who in his American films in the period was sometimes cast in roles that were beyond his acting skills, is perfectly cast here and delivers a memorable comic performance, and after seeing (and being unimpressed by) some of Laura LaPlante's late silent and early talkie performances at Universal, I was pleasantly surprised by her work here and disappointed only by her utter lack of a British accent. (I kept expecting to hear a bit of dialogue explaining that she was an American stranded in Britain and forced to take a secretarial job there to survive.) Let's hope the other 27 surviving Teddington productions get shown here soon!
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