Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to... See full summary »
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Robert Z. Leonard
Rod La Rocque,
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Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to drown herself in the river. She turns out to be an incompetent suicide, however, and while splashing about in the water, an apparently wealthy and dashing figure, Tony, drives up in his sports car and jumps in to save her. He takes her home to get her dry and to keep her from hurting herself--but his wealthy fiancee arrives and she assumes the worst and breaks off their engagement. Tony then reveals to Mary that he's broke, with only 300 pounds to his name. Now--each despondent--they both begin to talk of doing themselves in when tickets for Monte Carlo, which was to be his honeymoon destination, arrive. In a sudden bit of screwball inspiration, they decide to go to Monte Carlo and bet their little stake on an all or nothing bid to build a fortune for themselves. Its either win, or they both jump ... Written by
Thomas Muther, Jr (twm-2)
A screwball comedy with a British accent, Man of the Moment takes an original premise that is darkly realistic and carries it through to a madcap if predictable conclusion that satisfies more than anything because of the fine acting of its leads.
Mary,(Laura La Plante) is a secretary whose crush on her boss comes to a horrible end when he demotes her so he can promote a girl he's dating. Despondent, she resolves to throw herself in the Thames River. Along comes Tony, (Douglas Fairbanks Jr.) to rescue her on the eve of his wedding . He now feels responsible for her and takes her home. She is still determined to end it all, so he can't let her out of his sight. Did I mentioned that he was getting married?
It's all predictable, but the acting of the leads and the comedy of the supporting cast make it enjoyable.
Fairbanks is, of course, charmingly dashing and sincerely devil-may-care, He is the perfect straight man for an assortment of comic characters. La Plante is a delightful surprise. She plays a kind of multiple personality that is part poor working girl and part elfin sprite. Her energy makes the improbable story probable. She even does a passable boy when she dresses in drag to crash Tony's stag party.
The rest of the cast - Claude Hulbert as a goofy friend in love with Tony's fiancé; Margaret Lockwood as a devious fiancé who cries at the slightest provocation and Peter Gawthorne as her long-suffering father carry the screwball element with something of a music-hall touch.
All in all a frothy bubbly harmless way to enjoy an hour or so.
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