Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to... See full summary »
Rip MacCool has learned early in life that "money talks" (and other stuff walks), as does the audience via flashbacks, and when he arrives in San Francisco, he has no qualms about being ... See full summary »
Rags-to-riches Hennessey meets newlyweds Jessie and Eddie from his old neighborhood. Eddie plots to have Jessie divorce him, marry Hennessey, divorce Hennessey, then bring Hennessey's money... See full summary »
Mary, who is infatuated with her boss, discovers that he is having an affair with one of her coworkers. Despondent, she leaves work and overhearing news of a suicide, impulsively decides to drown herself in the river. She turns out to be an incompetent suicide, however, and while splashing about in the water, an apparently wealthy and dashing figure, Tony, drives up in his sports car and jumps in to save her. He takes her home to get her dry and to keep her from hurting herself--but his wealthy fiancee arrives and she assumes the worst and breaks off their engagement. Tony then reveals to Mary that he's broke, with only 300 pounds to his name. Now--each despondent--they both begin to talk of doing themselves in when tickets for Monte Carlo, which was to be his honeymoon destination, arrive. In a sudden bit of screwball inspiration, they decide to go to Monte Carlo and bet their little stake on an all or nothing bid to build a fortune for themselves. Its either win, or they both jump ... Written by
Thomas Muther, Jr (twm-2)
We owe Turner Classic Movies yet another debt for showing, for the first time in 2007 a remastered version of this fine screwball comedy from Warner Brothers. I didn't know that screwballs were made in England during their heyday in the United States. The film is a little light on laughs, but it is pleasant throughout, and the acting is exceptional. Here are 29-year-old Douglas Fairbanks, Jr. and 31-year-old Laura La Plante playing roles that would expect from, say, Melvin Douglas and Jean Arthur. Laura was at the end of her 87-movie career, and her performance in this film reveals what an excellent actress she was. I'm saving the film for my collection, as an example of how good even "B" films could be in the golden age of movies.
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