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4 items from 2012

22 May 2012 12:59 PM, PDT | AreYouScreening.com | See recent AreYouScreening news »

Terry O'Quinn as Gavin Doran in "666 Park Avenue" (ABC/Andrew Eccles)

ABC‘s slate of new shows for fall has a strange flavor to it, and it’s going to be a bumpy ride. The network has about as many new shows as returning ones (if you count all the midseasons), and a good percentage of the returning offerings are a year old or less, making this look a bit like a rebuilding year.

Not only is it a rebuilding year, but it’s the year of bringing back every actor and actress who ever had a decent run on a show before. I don’t think I’ve ever seen a network’s new season slate that was so crammed with people returning from something else. If you can’t make it good, I suppose, make sure viewers recognize the faces.

It’s tricky to get a solid feel »

- Marc Eastman

17 May 2012 1:30 AM, PDT | HeyUGuys.co.uk | See recent HeyUGuys news »

Sarah Chalke (Scrubs) is returning with a new programme in January next year, taking the lead in ABC’s How to Live with your Parents (For the Rest of your Life).

After Mad Love was cancelled after a short-lived season, following Chalke’s leading role in Scrubs, we heard earlier this year that she’d signed on for a new comedy which has just had its first trailer debut.

Julie Anne Robinson (Weeds, One for the Money) is directing the pilot, from a script by Claudia Lonow (Accidentally on Purpose), with Elizabeth Perkins, Brad Garrett, and Orlando Jones, and Rachel Eggleston playing Chalke’s young daughter.

“Polly (Sarah Chalke) is a single mom who’s been divorced for almost a year. The transition wasn’t easy for her, especially in this economy. So, like a lot of young people living in this new reality, she and her daughter, Natalie (Rachel Eggleston »

- Kenji Lloyd

9 March 2012 8:48 AM, PST | MUBI | See recent MUBI news »

Andrzej Żuławski does not like the title of the first retrospective of his work in the Us. Hysterical Excess: Discovering Andrzej Żuławski opens tommorrow and runs through March 20 at New York's BAMcinématek. At the top of his piece for the New York Times, J Hoberman allows the director to explain his objection and then suggests himself that the "word to best describe the Żuławski oeuvre might be 'awful' in its root sense of inspiring dread. Exuding charm and urbanity on the phone, Mr Żuławski is nonetheless an auteur to be approached with trepidation. His movies are seldom more than a step from some flaming abyss, with his actors (and audience) trembling on the edge. Typically shot with a frenzied, often subjective moving camera in saturated colors that have the over-bright feel of a chemically induced hallucination, these can be hard to watch and harder to forget."

Bam's presenting all 12 features »

4 January 2012 8:31 PM, PST | MUBI | See recent MUBI news »

Stupéfiants (1932) is interesting in itself, to a moderate degree. It's even more interesting for the lives around it, but more of that later.

Yes, the title literally means "stupefiers," and it's a drug drama, a French-German co-production delivering German thriller entertainment with a Gallic lightness of touch. The hero, Jean Murat, is the kind of energetic superman beloved of the German cinema of the era, with some of the agility that distinguished Roland Toutain in L'Herbier's crime romances of the period—one moment where he swings from a crane adds a welcome dash of Doug Fairbanks excitement to the proceedings: one watches keenly for the rest of the movie in case he repeats it, but sadly he doesn't.

Murat's sister has become addicted to drugs, and Murat embarks on his adventures first to save her, then to avenge her. Along the way, the movie delivers some surprisingly accurate behavior from the addict, »

4 items from 2012