Englishmen race to find the tomb of Ghengis Khan. They have to get there fast, as the evil genius Dr. Fu Manchu is also searching, and if he gets the mysteriously powerful relics, he and ... See full summary »
A GI marries the English girlfriend of his best friend to get her into the U.S. for his friend who lost track of her in the war only to find on returning home that he is stuck with the girl because the friend has married someone else.
An archaeological expedition brings back to London the coffin of an Egyptian queen known for her magic powers. Her spirit returns in the form of a young girl and strange things starts to ... See full summary »
A semi-fictionalized version of John Resko's incarceration is presented. John is on death row at Sing Sing for murder. In December 1930, he killed a toy store shopkeeper over a teddy bear ... See full summary »
In Paris, the great surgeon Dr. Gogol falls madly in love with stage actress Yvonne Orlac, and his ardor disturbs her quite a bit when he discovers to his horror that she is married to concert pianist Stephen Orlac. Shortly thereafter, Stephen's hands are badly crushed in a train accident- beyond the power of standard medicine. Knowing that his hands are his life, Yvonne overcomes her fear and goes to Dr. Gogol, to beg him to help. Gogol decides to surgically graft the hands of executed murderer Rollo onto Stephen Orlac, the surgery is successful but has terrible side-effects... Written by
Ken Yousten <firstname.lastname@example.org>
Peter Lorre was under contract to Columbia Pictures. He agreed to be loaned out to MGM for this film if Columbia would do a film version of Crime and Punishment (1935) with him in the role of Raskolnikov. See more »
The wax statue of "Yvonne" is shown with arms straight down through the film, but toward the end, when there is a shot of the real Yvonne facing the wax statue, the statue has it's left arm bent, with hand on hip. See more »
Reagan, the American Reporter:
It's the old story. The old family doctor stuck on a girl and tries to plant a murder on her husband to get rid of him. He's been doing something mighty queer with Rollo's body.
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At the end of the opening credits, the titles are painted on a glass window pane, which is broken when a fist punches through it. See more »
Excellent, morbid story of a brilliant sureon's (Lorre) obsessive, fetishistic love for a Grand Guignol style actress. The early scenes are perhaps the best film evocative of actual Grand Guignol sadefests. Lorre manages to procure a perfect waxen statue of his love object, thus introducing doppleganger horror, a relatively rare treat in American horror. The main plot focuses on Lorre's attempt to implicate Drake's husband in a series of murders by convincing him that the hands he grafted for him are acting of their own will (as in "Hands of Orlac"). Many subtle moments (which critics have not credited the film for), some garishly out-of-place slapstick humor is the only negative aspect. Fantastic photography.
This is Lorre's entry into classic horror stardom: Karloff has his Frankenstein monster, Lugosi has Dracula (forever, folks), Chaney Jr. has the wolfman, and Lorre's got this lesser-known but equally classic film to recommend him as one of the major horror stars of the classic era. This film represents MGM's entry into the early 30s horror film sweepstakes as well, and they did well to associate themselves with solid hands like Freund's and Lorre's. Hands..... hmmmmm unintended pun. Anyway, if anyone out there is a fan of classic horror films and has not yet seen this one, put it at the top of your list.
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