A crew of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right ... See full summary »
Director Billy Wilder salutes his idol, Ernst Lubitsch, with this comedy about a middle-aged playboy fascinated by the daughter of a private detective who has been hired to entrap him with the wife of a client.
Gangster's moll Honey Swanson goes into hiding when her boyfriend is under investigation by the police. Where better to hide than a musical research institute staffed entirely by lonely ... See full summary »
Walter Matthau plays a professional killer going by the name of Trabucco, who is on his way to rub out gangster Rudy "Disco" Gambola, set to testify against the mob. As Trabucco heads off ... See full summary »
Two members of a crew of "sandhogs", men who work on an underwater tunnel project, battle each other over the same woman and a rival team of sandhogs to see who will finish their half of ... See full summary »
A crew of young military-school cadets are enjoying their first weekend in Paris. Frank Harrington, a girl-shy cadet, wins the lottery which "They" have organized, an Frank wins the right to woo the star of the Folies Bergere, Gaby Aimee, with her garter serving as proof of conquest. Meanwhile Frank has found the one girl-of-his-heart, Patty, and this serves to complicate matters. Written by
Les Adams <firstname.lastname@example.org>
Don't get too excited by the fact that Billy Wilder has a half-share in the screenplay credit. This film has no bitingly witty lines, and only lukewarm comedy situations.
Despite a mighty attractive cast and a remarkably lavish budget at his disposal, director Thiele has given this mild script little zing. Fortunately, the songs are surprisingly pleasant, the sets and costumes eye-dazzling. We are also treated to two fairish musical production numbers only one, alas, with girls!
Two other assets make significant contributions to the fun: Bert Glennon's glowing cinematography and editor Dorothy Spencer's uncanny ability to spice up Thiele's flabby footage. In fact, Miss Spencer does such wonders she should have been nominated for an award (as she was for Stagecoach, Decision Before Dawn, Cleopatra and Earthquake).
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