| William 'Stage' Boyd | ... | Zolok (as Wm. 'Stage' Boyd) | |
| Kane Richmond | ... | Bruce Gordon | |
| Claudia Dell | ... | Natcha Manyus | |
| Josef Swickard | ... | Dr. Manyus | |
| George 'Gabby' Hayes | ... | Butterfield (as Geo. F. Hayes) | |
| Billy Bletcher | ... | Gorzo (as Wm. Bletcher) | |
| Eddie Fetherston | ... | Jerry Delaney | |
| Milburn Morante | ... | Chet Andrews [Chs. 1, 4, 5, 8-10] | |
| Margot D'Use | ... | Rama, Queen of the Wangas [Chs.8-11] (as Margot Duse) | |
| Jerry Frank | ... | Appollyn | |
| Ralph Lewis | ... | Prof. Reynolds [Chs.1-4] | |
| William Millman | ... | Dr. Colton [Chs.1-5] (as Wm. Millman) | |
| Gino Corrado | ... | Sheikh Ben Ali [Chs. 5-7] | |
| Sam Baker | ... | Hugo, lead giant | |
| rest of cast listed alphabetically: | |||
| Everett Brown | ... | Boyo, a Giant [Chs. 1-2, 10-12] (uncredited) | |
| Edwards Davis | ... | Scientist [Ch. 1] (uncredited) | |
| Curley Dresden | ... | An Arab (uncredited) | |
| Henry Hall | ... | The General [Ch.1] (uncredited) | |
| Eric Mayne | ... | Scientist [Ch. 1] (uncredited) | |
| Albert Pollet | ... | Gendarme (uncredited) | |
Directed by | |||
| Harry Revier | |||
Writing credits | ||
| Zelma Carroll | story & | |
| George M. Merrick | story (as Geo. M. Merrick) & | |
| Robert Dillon | story and | |
| Eddie Granemann | screenplay & | |
| Leon D'Usseau | screenplay & | |
| Perley Poore Sheehan | screenplay (as Perley Sheehan) | |
Produced by | |||
| Sherman S. Krellberg | .... | producer | |
Original Music by | |||
| Lee Zahler | (uncredited) | ||
Cinematography by | |||
| Edward Linden | |||
| Roland Price | |||
Film Editing by | |||
| Holbrook N. Todd | (as Holbrook Todd) | ||
Art Direction by | |||
| Ralph Berger | |||
Production Management | |||
| George M. Merrick | .... | production manager (as Geo. M. Merrick) | |
Second Unit Director or Assistant Director | |||
| Richard L'Estrange | .... | assistant director (as Dick L'Estrange) | |
| William L. Nolte | .... | assistant director (as Wm Nolte) | |
Art Department | |||
| Ken Strickfaden | .... | set designer | |
Sound Department | |||
| Clifford A. Ruberg | .... | sound (as Cliff Ruberg) | |
Special Effects by | |||
| Ken Strickfaden | .... | special effects: electrical (as K. Strickfadden) | |
| Norman Dawn | .... | special effects (uncredited) | |
Music Department | |||
| Lee Zahler | .... | musical director (uncredited) | |
Other crew | |||
| James Altwies | .... | technical director | |
| Sherman S. Krellberg | .... | presenter | |
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| The Secret of Treasure Island | King of the Rocket Men | Star Wars: Episode IV - A New Hope | The Black Widow | Danger Island |
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| Full cast and crew | Company credits | External reviews |
| IMDb Sci-Fi section | IMDb USA section |
Is there a good 35mm print of this thing? If there is and a negative, there is millions to be made from a camp Rocky Horror type reissue in cinemas or on the late-show cine circuit. Never have I seen such a bizarre serial. Imagine a jungle jumble of RED DUST, UNDERSEA KINGDOM, THE GOLEM, TARZAN AND HIS MATE, and FLASH GORDON, KING KONG, and THE MOST DANGEROUS GAME..I know, I know, just insane...but wound up to almost hysteria level acting and with a reasonable budget of deco indoor FRANKENSTEIN looking ray guns and zzzzy things, on steel rivet sets; submarine-airship bits and pieces...and you get sort of a picture of how berserk this serial truly is. Handsome he man Kane Richmond and some silly old professor and screaming daughter end up in darkest Africa being menaced chased, shot at, tied up and scribbled on (yes, scribbled upon!) by a roster of jungle idiots who include: giant oily Nubians who walk like huge stoned babies, a hunchback in a "prince Valiant style" page boy wig (and speaks in Shakespearian English), a tribal queen who clearly is Spanish, wears huge diamonties and talks like Lupe Velez, a gang of what look like flour covered jockeys in feathers and white fright wigs, and a gang of Hawaiian looking cranky cannibals who yell 'oomba goomba' and throw wobbly spears at whoever they are told to. And last but not least, a gay muscle dude who wears the tightest...and I mean SO tight you can see his religion... tightest spangly one piece girls swimming costume this side of the Hayes censorship code of 1934...he is called Appollon just in case you are not sure what he is there for. Once the scene is set between caves, indoor deco lost city with zappy electrical instruments and the usual all seeing television, and the jungle huts, the whole cast then chase each other between each location, throwing things at each other, looking suspiciously at each other or through windows or around corners - and screaming. Sometimes someone gets tied up or lions appear in old circus stock footage, or Kane gets his chest scribbled on (!) or the jockeys flabbboiiiing arrows at someone or the nubians stagger about, OR they run into a bush or get locked up in a grass hut, or tied to a chair, OR slam a door or just plain hit each other from behind in corridors with lead pipes, the action just basically rattles about in circles with ridiculous comments and overacting. I loved all 236 minutes of it. Made at the same hopeless serial factory by someone called Sherman Krellberg who produced THE BLACK COIN and other terrible serials before Republic Studios married Mascot and stopped (and imitated) the competition, THE LOST CITY needs to be concreted in infamy as the most hysterical loony and out of control piece of kids horror pantomime ever committed to celluloid. The 5000 FINGERS OF DR T has nothing on this. BUT I do believe it was made for adults. Exactly what type of adults I can only guess, but in its camp value and howling general beserkness suggests it was either seriously deranged in every part of its production or made by shrewd schlockmeisters who knew that in 2006 we would be waiting.