Newspaperman Bill Bradford becomes a special agent for the tax service trying to end the career of racketeer Alexander Carston. Julie Gardner is Carston's bookkeeper. Bradford enters ... See full summary »
A man seeks revenge but will he destroy himself in the process? After a long jail term for a crime he did not commit, a man is torn between revenge (which will probably destroy him) or ... See full summary »
Sue Tally waits for a brother she hasn't seen in twenty years to meet her in a French hotel. By proving her identity, she'll share in a $2,000,000 inheritance. But others are anxious to get... See full summary »
A foreword warns against the peril of yellow journalism, and the story illustrates it by following events in the upstate New York town of Cornwall after prominant financier George Ferguson ... See full summary »
Reporter Terry Brewer goes to the Los Angeles airport to say goodbye to his sweetheart, airline hostess Rita Moore. He notices G-Man Mike Phelan among the passengers and assuming Phelan is ... See full summary »
Ex-racketeer slugs a cop and goes to prison to keep from being involved in crime again. On the day of his parole, his plans are dashed. It's up to a brash newspaper reporter to figure out what happened.
Sybil Jason stated in her autobiography that director Michael Curtiz filmed some scenes at a real Hollywood orphanage, and (in the interest of realism) cast real orphans as extras. Among them, Jason remembered, was a young Marilyn Monroe, long before her first "recognized" role. This has not yet been confirmed by film historians and Monroe biographers. See more »
Adorable Sybil Jason tugs on the heartstrings of everyone save the most hard-boiled gangsters in this obvious attempt by Warners to come up with their own Shirley Temple. It almost works! Sybil plays an abandoned little girl whose innocence wins over a small-time con man (Armstrong) and his partner-in-petty crime (Edward Everett Horton). Indeed, Horton's presence here lends some humanity to the big lug that Armstrong plays--anyone with well-meaning bumbler Horton as his best pal can't be all bad. The gang warfare that underlies the plot makes for an uneasy ride for the little girl and the audience, however. Sybil is both charming and heart-rending as "The Countess", and the highlight is her rendition of the title song on the street to make some money for her new-found adopted father figures. But when the plot explodes in a burst of gunfire in a deadly police raid at movie's end it is clear why this movie failed at building a Shirley Temple-like franchise for Warners: falling back on their tried-and-true gangster formula, they mixed a bit too much death and danger into this story to make it a winner with family audiences. It's a shame, too, because Sybil Jason was definitely star material and could have given Temple a run for her money. (Jason later got to serve at the feet of the prototype herself (literally!) when she winningly played a Cockney chargirl to "The Little Princess" in 1939.)
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