Adam Lemp, the Dean of the Briarwood Music Foundation, has passed on his love of music to his four early adult daughters - Thea, Emma, Kay and Ann - who live with him and his sister, the ... See full summary »
When lovely and virtuous governess Henriette Deluzy comes to educate the children of the debonair Duc de Praslin, a royal subject to King Louis-Philippe and the husband of the volatile and ... See full summary »
Nan Masters, a single mother living with her four marriageable daughters, plans to marry Sam Sloane, businessman. Out of the blue her 1st husband Jim returns after deserting the family 20 ... See full summary »
Nicole Picot is working as a model in a Paris dress salon when she is picked by Stefan Orloff to help him convince a wealthy investor that he is well connected. She is to wear an expensive ... See full summary »
Sybil Jason stated in her autobiography that director Michael Curtiz filmed some scenes at a real Hollywood orphanage, and (in the interest of realism) cast real orphans as extras. Among them, Jason remembered, was a young Marilyn Monroe, long before her first "recognized" role. This has not yet been confirmed by film historians and Monroe biographers. See more »
Music by Harry Ruby
Played when Steve tells Jean he's keeping Gloria See more »
Adorable Sybil Jason tugs on the heartstrings of everyone save the most hard-boiled gangsters in this obvious attempt by Warners to come up with their own Shirley Temple. It almost works! Sybil plays an abandoned little girl whose innocence wins over a small-time con man (Armstrong) and his partner-in-petty crime (Edward Everett Horton). Indeed, Horton's presence here lends some humanity to the big lug that Armstrong plays--anyone with well-meaning bumbler Horton as his best pal can't be all bad. The gang warfare that underlies the plot makes for an uneasy ride for the little girl and the audience, however. Sybil is both charming and heart-rending as "The Countess", and the highlight is her rendition of the title song on the street to make some money for her new-found adopted father figures. But when the plot explodes in a burst of gunfire in a deadly police raid at movie's end it is clear why this movie failed at building a Shirley Temple-like franchise for Warners: falling back on their tried-and-true gangster formula, they mixed a bit too much death and danger into this story to make it a winner with family audiences. It's a shame, too, because Sybil Jason was definitely star material and could have given Temple a run for her money. (Jason later got to serve at the feet of the prototype herself (literally!) when she winningly played a Cockney chargirl to "The Little Princess" in 1939.)
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