Joe Sullivan is itching to get out of prison. He's taken the rap for Rick, who owes him $50 Grand. Rick sets up an escape for Joe, knowing that Joe will be caught escaping and be shot or ... See full summary »
Sherry Conley, a street tough and cynical woman with an unhappy family background, is taken from prison to a hotel, where the DA tries to convince her to testify against a mobster. Sherry ... See full summary »
Edward G. Robinson,
In 1915, German Counter-Intelligence Chief Von Sturm learns that someone is providing the British with critical strategic planning for the Turkish theater. He suspects Ali Bey, Turkish ... See full summary »
John Hamilton leaves a comfortable New York job to take up as an artist in a quiet Connecticut town. His dipso wife hates the life and falsely makes him out to be selfish, unsuccessful, and... See full summary »
A wife convinces her husband to fake his death so they can collect on the life insurance. However, he doesn't know that she has been having an affair for some time, and she has plans for the money - and they don't include him.
We follow the training and adventures of a team of young federal anti-gangster agents, Mal Stevens, Van Rensseler, and Tex Logan. After foiling a kidnap attempt on socialite Eleanor Spencer (an old flame of Van's), Mal falls for her; but they're at odds over her belief in the innocence of her chauffeur Joe Keefer (whom Mal knows was involved) and her young brother Buddy's desire to join the federal agents. This conflict climaxes with the pursuit of an Ohio bank-robbing gang. Written by
Rod Crawford <firstname.lastname@example.org>
"I want a million bucks, and I'm gonna get a million bucks"
'Let 'em Have It (1935),' a taut 1930s gangster flick, has since fallen out of all popular recognition, but remains worthwhile viewing if you can find it thanks to the capable direction of Sam Wood, an undervalued workman who gave us two Marx Brothers comedies ('A Night at the Opera (1935)' and 'A Day at the Races (1937)') and the wonderful, unforgettable 'Goodbye, Mr Chips (1939).' This particular gangster thriller plays like a good version of Mann's 'Public Enemies (2009)': a group of young men (Richard Arlen, Gordon Jones, Harvey Stephens), having been recruited into the Department of Justice, must bring down murderous bank-robber Joe Keefer (Bruce Cabot), who is crossing the country looting and murdering at will.
The elegant presence of Virginia Bruce promises some romance for the ladies, but 'Let 'em Have It' is at its best when revelling in the intricate details of forensic procedure, whether it be matching the ballistic markings of a firearm, or reconstructing the profile of an assailant from teeth-marks left in an apple. The heroes occasionally seem like over-excited boy-scouts, especially Eric Linden as Buddy, but Richard Arlen has a quiet, brooding presence that offsets the occasional moments that resemble a thinly-veiled advertisement for Edgar J. Hoover's newly-named F.B.I. As Keefer, Bruce Cabot is also excellent, gradually spinning an innocuous small-time criminal into a murderous outlaw worthy of Dillinger or Baby Face Nelson. There's one scene that precludes the plastic surgery in Delmer Daves' noir 'Dark Passage (1947),' and a bandage unveiling that cannot be missed.
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