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The Last Outpost (1935)
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Overview
User Rating:
Release Date:
11 October 1935 (USA) moreTagline:
Men of steel in an empire of fire! (original poster) morePlot:
In World War I, British-officer Michael Andrews is captured by a band of Kurdish raiders on the Eastern Front... more | add synopsisUser Comments:
Grant and Rains carry the day moreCast
(Cast overview, first billed only)| Cary Grant | ... | Michael Andrews | |
| Claude Rains | ... | John Stevenson | |
| Gertrude Michael | ... | Rosemary Haydon | |
| Kathleen Burke | ... | Ilya | |
| Colin Tapley | ... | Lt. Prescott | |
| Margaret Swope | ... | Nurse Rowland | |
| Billy Bevan | ... | Cpl. Foster | |
| Georges Renavent | ... | Turkish major | |
| Jameson Thomas | ... | Cullen | |
| Nick Shaid | ... | Haidor | |
| Meyer Ouhayou | ... | Armenian patriarch | |
| Frazer Acosta | ... | Armenian officer | |
| Malay Clu | ... | Armenian guard | |
| Robert Adair | ... | Sergeant in general's office | |
| William Brown | ... | Sgt. Bates |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
72 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
MonoFilming Locations:
Iverson Ranch, Chatsworth, Los Angeles, California, USAFun Stuff
Trivia:
One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. moreFAQ
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An underrated little film about the efforts of the British Army to protect the British Empire in Kurdistan, THE LAST OUTPOST depicts the friendship that is formed between two soldiers (Cary Grant and Claude Rains) as they help native refugees to safety. Their bond soon comes under the ultimate test as they vie for the love of the same woman (Gertrude Michael). This film is extremely predictable, but Grant and Rains develop a unique and genuine on-screen chemistry that infuses much of the picture with a invaluable sense urgency and interest. The film is marred somewhat by the sloppy incorporation of woefully inconsistent stock footage (which looks to be of a completely different stock and shot at a different speed) into various moments, which is often distracting, but fortunately does not undermine the picture as a whole.