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The Last Days of Pompeii (1935)

6.5
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Ratings: 6.5/10 from 645 users  
Reviews: 25 user | 12 critic

In the doomed Roman city, a gentle blacksmith becomes a corrupt gladiator, while his son leans toward Christianity.

Directors:

, (uncredited)

Writers:

(story), (story), 4 more credits »
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Title: The Last Days of Pompeii (1935)

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Cast

Cast overview, first billed only:
Preston Foster ...
Marcus
...
Burbix
...
John Wood ...
Flavius, as a Man
...
Prefect (Allus Martius)
David Holt ...
Flavius, as a Boy
Dorothy Wilson ...
Clodia
Wyrley Birch ...
Leaster
Gloria Shea ...
Julia
Frank Conroy ...
Gaius Tanno
William V. Mong ...
Cleon, the Slave Dealer
Murray Kinnell ...
Simon, Judean Peasant
Henry Kolker ...
Warder
Edward Van Sloan ...
Calvus
Zeffie Tilbury ...
The Wise Woman
Edit

Storyline

Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Adventure | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 October 1935 (USA)  »

Also Known As:

Der Untergang von Pompeji  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

If you listen closely during the African scene, you can hear several "words" used by Noble Johnson in King Kong. See more »

Goofs

As Vesuvius erupts, a large gladiator statue topples in the arena. In the first view, a long shot, the statue cracks open across the chest, at the bottom of the rib cage. In the next view, from the perspective of a man about to be crushed, the torso is intact, and the crack is at the statue's neck. See more »

Quotes

Cleon, the Slave Dealer: I don't think you should look down on me, my friend. Aren't we in the same business? We both furnish amusement for the people.
Marcus: I risk my life with the man I'm fighting. You buy and sell wretches to be slaughtered as a spectacle. I'm not proud of myself, but, by Jupiter, compared to you I'm a holy man.
Cleon, the Slave Dealer: You will never be an old one. It isn't bravery that survives; it's brains.
Marcus: Yes, it is well known that the rat lives longer than the lion, but who wants to be a rat? I wouldn't do your dirty work -...
See more »

Crazy Credits

The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »

Connections

Featured in Gladiators: Bloodsport of the Colisseum (2000) See more »

Soundtracks

Features music from the following films:
King Kong (1933)
The Son of Kong (1933)
She (1935)
See more »

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User Reviews

 
Pompeii, Pageantry & Pontius Pilate
22 January 2002 | by (Forest Ranch, CA) – See all my reviews

Conscious stricken after abandoning Christ on the way to Golgotha, a jaded slave trader witnesses THE LAST DAYS OF POMPEII, and the city's horrific destruction.

Although burdened with occasional wooden acting, this is generally a fine historical drama. RKO spent quite a bit of money on its production and it shows in the large crowd scenes and still noteworthy special effects. The film boasted a very fine team behind the camera, working together as they had on KING KONG (1933). Directorial duties were shared by Ernest B. Schoedsack & Meriam C. Cooper. Special effects wizard Willis O'Brien worked his magic, while composer Max Steiner contributed a pounding score.

Preston Foster had one of his finest roles as the stalwart blacksmith turned gladiator and slaver. His performance during the prolonged climax, while desperately trying to save the life of his doomed son, is especially effective. David Holt & John Wood, playing the youth at different ages, are also very good.

Additional fine support is offered by Alan Hale as the rough mercenary who teams with Foster; and by villainous Louis Calhern as Pompeii's last prefect. Acting honors, however, go to marvelous Basil Rathbone, who gives a most sophisticated performance as Pontius Pilate, by turns rogue, fate's victim & moral philosopher.

Movie mavens should recognize Ward Bond as a boastful gladiator, elderly Zeffie Tilbury as a soothsayer, Edward Van Sloan as Pilate's clerk & Edwin Maxwell as a Pompeii official, all uncredited.

******************************

The film makes rather a mishmash of historical chronology. Young Flavius appears to be about ten years old at the time of Christ's crucifixion, which occurred around AD 29. It would be another fifty years - August 24, AD 79, to be precise - until Vesuvius' eruption destroyed Pompeii, yet Flavius is still depicted as a youthful fellow, just reaching maturity. Early Christian tradition also holds that Pilate committed suicide in AD 39 - four decades before Pompeii's rendezvous with destiny.

While using the same title & location, this film tells quite a different story from that of the classic 1834 novel by Baron Bulwer-Lytton.


11 of 11 people found this review helpful.  Was this review helpful to you?

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