In the town of Pompeii, 79AD, a few weeks before the volcanic eruption of Vesuvius, a Roman lady Hélène meets and falls in love with a young Greek man Lysias. He is betrothed to another ... See full summary »
Leo Vincey, told by his dying uncle of a lost land visited 500 years ago by his ancestor, heads out with family friend Horace Holly to try to discover the land and its secret of immortality... See full summary »
A standard screen B&W prologue during which Lowell Thomas shows how, from the dawn of history, mankind has attempted to create the illusion of depth & movement by artistic, mechanical and ... See full summary »
There is a big charity function at the house of Mrs. Cheyney and a lot of society is present. With her rich husband, deceased, rich old Lord Elton and playboy Lord Arthur Dilling are both ... See full summary »
Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius. Written by
Rod Crawford <firstname.lastname@example.org>
Despite all the spectacle, the movie was a box-office flop, and required several re-releases (on a double bill with King Kong (1933)) to earn back its cost. See more »
As Vesuvius erupts, a large gladiator statue topples in the arena. In the first view, a long shot, the statue cracks open across the chest, at the bottom of the rib cage. In the next view, from the perspective of a man about to be crushed, the torso is intact, and the crack is at the statue's neck. See more »
Money is all that matters. Well, I can get money! It's easy to get money! All you have to do... is kill.
See more »
The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »
An early mixture of "Ben-Hur" , "The Robe" and other biblical epics...
Although never entirely flawless, THE LAST DAYS OF POMPEII ('35) was an ambitious undertaking for RKO to take at that time. The storyline, about a bitter blacksmith who turns gladiator, is really a morality tale wrapped up in biblical settings and given the usual "cast of thousands" publicity by the studio that spent a lot of money in recreating Ancient times.
PRESTON FOSTER was never a particularly charismatic actor, often accused of being "wooden", but there's a sincere element about his performance here that allows the film to work. So too does BASIL RATHBONE, giving some extra dimension to his take on Pontius Pilate.
Interesting to catch a glimpse of WARD BOND as a gladiator--an actor who has appeared in so many classic films it's almost amazing to realize he was kept as busy as he was.
With Max Steiner supplying the score, it's a lesser known gem that makes for enjoyable viewing even if it comes off as a cross between BEN-HUR and THE ROBE and lots of other stories dealing with the effect of the crucifixion on men's lives and their search for the truth.
4 of 5 people found this review helpful.
Was this review helpful to you?