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The Last Days of Pompeii (1935)

6.5
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Ratings: 6.5/10 from 660 users  
Reviews: 25 user | 12 critic

In the doomed Roman city, a gentle blacksmith becomes a corrupt gladiator, while his son leans toward Christianity.

Directors:

, (uncredited)

Writers:

(story), (story), 4 more credits »
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Title: The Last Days of Pompeii (1935)

The Last Days of Pompeii (1935) on IMDb 6.5/10

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Cast

Cast overview, first billed only:
Preston Foster ...
...
Burbix
...
John Wood ...
Flavius, as a Man
...
Prefect (Allus Martius)
David Holt ...
Flavius, as a Boy
Dorothy Wilson ...
Clodia
Wyrley Birch ...
Leaster
Gloria Shea ...
Julia
Frank Conroy ...
Gaius Tanno
William V. Mong ...
Cleon, the Slave Dealer
Murray Kinnell ...
Simon, Judean Peasant
Henry Kolker ...
Warder
Edward Van Sloan ...
Calvus
Zeffie Tilbury ...
The Wise Woman
Edit

Storyline

Peaceloving blacksmith Marcus refuses lucrative offers to fight in the arena...until his wife dies for lack of medical care. His life as a gladiator coarsens him, and shady enterprises make him the richest man in Pompeii, while his son Flavius (who met Jesus on a brief visit to Judaea) is as gentle as Marcus once was. The final disaster of Marcus and Flavius's cross purposes is interrupted by the eruption of Vesuvius. Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Adventure | Drama

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 October 1935 (USA)  »

Also Known As:

Der Untergang von Pompeji  »

Box Office

Budget:

$1,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(RCA Victor System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Despite all the spectacle, the movie was a box-office flop, and required several re-releases (on a double bill with King Kong (1933)) to earn back its cost. See more »

Goofs

As Vesuvius erupts, a large gladiator statue topples in the arena. In the first view, a long shot, the statue cracks open across the chest, at the bottom of the rib cage. In the next view, from the perspective of a man about to be crushed, the torso is intact, and the crack is at the statue's neck. See more »

Quotes

Marcus: Money is all that matters. Well, I can get money! It's easy to get money! All you have to do... is kill.
See more »

Crazy Credits

The foreword at the beginning of the film is a disclaimer stating that this film is not based on Bulwer-Lytton's novel at all. (It does not use the novel's plot, nor does it have any of the novel's characters.) However, the disclaimer goes on to say that the filmmakers are indebted to him for the description of the destruction of Pompeii. See more »

Connections

Referenced in An Unfathomable Friendship (2003) See more »

Soundtracks

Features music from the following films:
King Kong (1933)
The Son of Kong (1933)
She (1935)
See more »

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User Reviews

 
An early mixture of "Ben-Hur" , "The Robe" and other biblical epics...
21 October 2007 | by (U.S.A.) – See all my reviews

Although never entirely flawless, THE LAST DAYS OF POMPEII ('35) was an ambitious undertaking for RKO to take at that time. The storyline, about a bitter blacksmith who turns gladiator, is really a morality tale wrapped up in biblical settings and given the usual "cast of thousands" publicity by the studio that spent a lot of money in recreating Ancient times.

PRESTON FOSTER was never a particularly charismatic actor, often accused of being "wooden", but there's a sincere element about his performance here that allows the film to work. So too does BASIL RATHBONE, giving some extra dimension to his take on Pontius Pilate.

Interesting to catch a glimpse of WARD BOND as a gladiator--an actor who has appeared in so many classic films it's almost amazing to realize he was kept as busy as he was.

With Max Steiner supplying the score, it's a lesser known gem that makes for enjoyable viewing even if it comes off as a cross between BEN-HUR and THE ROBE and lots of other stories dealing with the effect of the crucifixion on men's lives and their search for the truth.


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