Opening with a credit line that reads "Entire production conceived, created and directed by George White," a film evolves where the only plot line is a thin backstage romance between Jimmy ... See full summary »
Hildy Johnson, newspaper reporter, is engaged to Peggy Grant and planning to move to New York for a higher paying advertising job. The court press room is full of lame reporters who invent ... See full summary »
Starving playwright Judith Wells meets playboy writer of musicals, George Macrae, over a plate of stolen spaghetti. He persuades producer Sam Gordon to buy her ridiculous play "North Winds"... See full summary »
A cream-of-the-crop gathering of 1930's radio stars, who lend themselves to a storyline about a failing radio station which needs to put on a huge ratings winner to have any chance of ... See full summary »
Three young girls working in an agency have build a singing trio. They want to 'lease' the dictaphone of their boss to make a record of their singin, but they are caught and fired. When ... See full summary »
It seems many other contributing members are hypercritical of older films. Most films made in the 1930s and 1940s weren't meant to be memorable, just enjoyed for a brief time and then to be forgotten. Now television has resurrected them so people can look at them again.
This film is typical of the era in which it was made. I did notice that it has some plot devices which re-appear in later 20th Century-Fox films (some of which also featured Alice Faye): The low-class man aspiring to high society and "a dame with class" repeated in "Hello Frisco Hello" and "Nob Hill", and Faye's getting passed up for another woman, then going off to London to be a big success on the stage there. Never let it be said that Darryl Zanuck didn't get mileage out of his story lines.
Here we see Faye early in her career as a Jean Harlow knock-off, with platinum blonde hair and pencil-thin eyebrows. Not too long after this film, her appearance was normalized and she began singing in a lower key which made her voice so much richer. I think she was responsible for a whole new trend for female singers. Gone was the high-pitched, nasal sound, popular in the 1920s and early 30s.
For fans of tap dancing, you can watch Dixie Dunbar, whose career never amounted to much, and also there is a nice performance by juvenile Gareth Joplin, on a level equal to that of any adult performer, but who evidently did not have much of a film career either.
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