| Victor McLaglen | ... | Gypo Nolan | |
| Heather Angel | ... | Mary McPhillip | |
| Preston Foster | ... | Dan Gallagher | |
| Margot Grahame | ... | Katie Madden | |
| Wallace Ford | ... | Frankie McPhillip | |
| Una O'Connor | ... | Mrs. McPhillip | |
| J.M. Kerrigan | ... | Terry | |
| Joe Sawyer | ... | Bartly Mulholland (as Joseph Sauers) | |
| Neil Fitzgerald | ... | Tommy Connor | |
| Donald Meek | ... | Peter Mulligan | |
| D'Arcy Corrigan | ... | The Blind Man | |
| Leo McCabe | ... | Donahue | |
| Steve Pendleton | ... | Dennis Daly (as Gaylord Pendleton) | |
| Francis Ford | ... | 'Judge' Flynn | |
| May Boley | ... | Madame Betty | |
| Grizelda Harvey | ... | English Girl | |
| Denis O'Dea | ... | Street Singer (as Dennis O'Dea) | |
| rest of cast listed alphabetically: | |||
| Frank Baker | ... | Small Role (uncredited) | |
| Barlowe Borland | ... | Man at Wake (uncredited) | |
| Eddy Chandler | ... | House Patron (uncredited) | |
| Clyde Cook | ... | Flash Patron (uncredited) | |
| Earle Foxe | ... | British Officer (uncredited) | |
| Frank Hagney | ... | Policeman (uncredited) | |
| Sam Harris | ... | British Officer (uncredited) | |
| Robert Homans | ... | Detractor (uncredited) | |
| Cornelius Keefe | ... | House Patron (uncredited) | |
| Frank Marlowe | ... | Admirer (uncredited) | |
| Arthur McLaglen | ... | Man (uncredited) | |
| Frank Moran | ... | McCabe - Bouncer (uncredited) | |
| Pat Moriarity | ... | Admirer (uncredited) | |
| Jack Mulhall | ... | Man at Wake (uncredited) | |
| James Murray | ... | Bit (uncredited) | |
| Anne O'Neal | ... | Singer (uncredited) | |
| Robert Parrish | ... | Young Soldier (uncredited) | |
| Bob Perry | ... | Bartender (uncredited) | |
| Pat Somerset | ... | British Officer (uncredited) | |
| Harry Tenbrook | ... | Admirer (uncredited) | |
Directed by | |||
| John Ford | |||
Writing credits | ||
| Dudley Nichols | (screen play) | |
| Liam O'Flaherty | (from the story by) | |
Produced by | |||
| Cliff Reid | .... | associate producer | |
| John Ford | .... | producer (uncredited) | |
Original Music by | |||
| Max Steiner | (music by) | ||
Cinematography by | |||
| Joseph H. August | (photographed by) | ||
Film Editing by | |||
| George Hively | (edited by) | ||
Art Direction by | |||
| Van Nest Polglase | |||
Set Decoration by | |||
| Julia Heron | (uncredited) | ||
Costume Design by | |||
| Walter Plunkett | (costumes by) | ||
Makeup Department | |||
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Edward Donahue | .... | first assistant director (uncredited) | |
| Edward O'Fearna | .... | second assistant director (uncredited) | |
Art Department | |||
| Charles M. Kirk | .... | associate art director (as Charles Kirk) | |
Sound Department | |||
| Hugh McDowell Jr. | .... | recordist | |
| Robert Wise | .... | sound effects editor (uncredited) | |
Special Effects by | |||
| Harry Redmond Jr. | .... | special effects (uncredited) | |
| Harry Redmond Sr. | .... | special effects supervisor (uncredited) | |
Stunts | |||
| Gil Perkins | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Burnett Guffey | .... | camera operator (uncredited) | |
Editorial Department | |||
| Robert Parrish | .... | apprentice editor (uncredited) | |
Music Department | |||
| Maurice De Packh | .... | orchestrator (uncredited) | |
| Bernhard Kaun | .... | orchestrator (uncredited) | |
Other crew | |||
| S. Barret McCormick | .... | press agent (uncredited) | |
| Elizabeth McGaffey | .... | research (uncredited) | |
|
|
|
|
|
| The Lonely Passion of Judith Hearne | Rebecca | Bloom | Angela's Ashes | In Cold Blood |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Gypo Nolan (Victor McLaglen) is as poor as anyone on Earth. Living in 1920s Ireland, Gypo and his fellow Irishmen are part of an underground rebellion against the oppressive Brits. One particular rebel, wanted for murder by the English, arrives back into town secretly. He thinks he can trust his friend Gypo, but the £20 reward proves too tempting. Gypo gets his friend killed and sinks into a pit of despair and drunkenness. Meanwhile, the other Irish rebels are searching for the informer. Right away, Gypo, with money burning a hole in his pocket, is their main suspect, but they, who are his friends, don't want to believe it. The story of The Informer is simple in its plot, but complex in its moral and emotional issues. It's easily one of John Ford's most emotionally involving films. What Gypo did was wrong, but we can certainly understand his motives. We also understand his sorry character, and there's a lot of sympathy that arises for him. The script is very suspenseful, as well. It's the kind of suspense where we are pretty sure we know how everything will end up, so we have to grit our teeth and bear along with it. The acting is remarkable. Victor McLaglen, who acted in many of Ford's films, probably gave his best performance here (and won an Oscar for it). Every other performer in the film deserves his or her kudos. In addition to an amazing script and acting, The Informer is one of John Ford's most expressionistic films. I love the darker side of Ford. In its mood, as well as in its themes, The Informer reminds me of two of my other favorite Ford films, The Long Voyage Home (1940) and The Fugitive (1948); it's also a bit similar to The Grapes of Wrath (1940) in these respects. 10/10.