IMDb > In Old Kentucky (1935)

In Old Kentucky (1935) More at IMDbPro »


Overview

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Director:
Release Date:
28 November 1935 (USA) See more »
Genre:
Plot:
Horse trainer Steve Tapley is caught between the feuding Martingale and Shattuck families. He sides... See more » | Add synopsis »
Plot Keywords:
NewsDesk:
Stuntwoman Alice Van-Springsteen dies
 (From The Hollywood Reporter. 16 September 2008, 11:00 AM, PDT)

User Reviews:
A great Rogers, Sellon, Robinson show! See more (7 total) »

Cast

  (in credits order) (complete, awaiting verification)

Will Rogers ... Steve Tapley
Dorothy Wilson ... Nancy Martingale
Russell Hardie ... Dr. Lee Andrews
Charles Sellon ... Ezra Martingale
Louise Henry ... Arlene Shattuck
Esther Dale ... Dolly Breckenridge
Alan Dinehart ... Slick Doherty
Charles Richman ... Pole Shattuck
Etienne Girardot ... Pluvius J. Aspinwall, the Rainmaker
John Ince ... Sheriff

Bill Robinson ... Wash Jackson
Greyboy the Horse ... Greyboy
rest of cast listed alphabetically:
Stanley Andrews ... Steward (uncredited)
William Bailey ... Steward (uncredited)
Brooks Benedict ... Party Guest (uncredited)
Jack Byron ... Dancer (uncredited)
Allan Cavan ... Steward (uncredited)
Dora Clement ... Dress Saleslady (uncredited)
James Ford ... Dancer (uncredited)
Henry Hall ... Steward (uncredited)
Fritz Johannet ... Jockey (uncredited)
Edward LeSaint ... Steward (uncredited)
Charles McMurphy ... Racetrack Cop (uncredited)
Frances Morris ... Dance Extra (uncredited)
Ned Norton ... Bookie (uncredited)
G. Raymond Nye ... Deputy Officer (uncredited)
Bob Rose ... Jockey (uncredited)
Larry Steers ... Party Guest (uncredited)
Everett Sullivan ... Jailer (uncredited)
Eddie Tamblyn ... Jockey (uncredited)
William Worthington ... Bit (uncredited)
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Directed by
George Marshall 
 
Writing credits
(in alphabetical order)
Charles T. Dazey  play
Sam Hellman 
Henry Johnson  additional dialogue
Gladys Lehman 

Produced by
Edward Butcher .... producer
 
Original Music by
Arthur Lange (uncredited)
 
Cinematography by
L. William O'Connell 
 
Film Editing by
Jack Murray 
 
Art Direction by
William S. Darling 
 
Costume Design by
William Lambert 
 
Second Unit Director or Assistant Director
Ray Flynn .... assistant director (uncredited)
 
Art Department
Eddie Ellis .... set dresser (uncredited)
Tom Plews .... props (uncredited)
 
Sound Department
Bob Bertrand .... boom operator (uncredited)
L.B. Dix .... assistant sound (uncredited)
 
Camera and Electrical Department
Edward Collins .... assistant camera (uncredited)
Walter Fayon .... grip (uncredited)
Harry Jackson .... camera operator (uncredited)
John Schmitz .... camera operator (uncredited)
Chet Stafford .... set lighting foreman (uncredited)
 
Costume and Wardrobe Department
Sam Benson .... wardrobe (uncredited)
 
Music Department
Arthur Lange .... musical director
Emil Gerstenberger .... orchestrator (uncredited)
Robert C. Haring .... orchestrator (uncredited)
 
Other crew
Percy Ikerd .... business manager (uncredited)
 

Production CompaniesDistributors
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Additional Details

Runtime:
86 min
Country:
Language:
Aspect Ratio:
1.37 : 1 See more »
Sound Mix:

Did You Know?

Trivia:
Final movie performance of Will Rogers. Released posthumously.See more »
Movie Connections:
Featured in Lest We Forget (1937)See more »

FAQ

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4 out of 4 people found the following review useful.
A great Rogers, Sellon, Robinson show!, 9 February 2007
Author: JohnHowardReid

Commendably pampered by director George Marshall, it's Charles Sellon who almost steals the show from Rogers in what turned out to be the final movie appearances of both comedians. Sellon even enjoys the first shot in the movie and practically closes the curtain as well, allowing Rogers only the briefest of brief fade-outs. Rogers also has competition from Bill Robinson who is handed a number of well-polished solos in addition to a delightful routine in which he teaches Rogers how to high-step (an amusing talent that comes in handy for Rogers in a couple of later scenes).

The rest of the support cast also rates as decidedly strong. Lovely Dorothy Wilson gets plenty of welcome camera attention (although the wonderfully exotic Louise Henry is allowed to outshine her at the ball). John Ince as the pushy sheriff, Etienne Girardot as the maladroit rainmaker, and Charles Richman as the villain also deservedly receive a nice innings. So does Esther Dale. Only Alan Dinehart seems a little short-changed. But you can't accommodate everyone and George Marshall deserves a hearty round of applause for balancing his players so equitably. And this of course is what makes In Old Kentucky so enjoyable. It's not a one-man show, but a divertingly assorted ensemble of talented actors, each pulling their weight to breathe life and vivacity into what was basically even in 1935 a rather hackneyed plot. True, there are enough clever variations on the old story to make the action exciting even in 2007. Even more importantly, however, it's because we identify so much with the characters, that the film becomes so involving. George Marshall is a much under-rated director.

As might be expected, production values are top-drawer, with lots of extras milling around in both elaborate studio and location scenes—and all beautifully photographed by that unsung lensman, Bill O'Connell, whose talent for shooting fast, yet super-effectively, kept him in the "B" league for most of his career.

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