6.1/10
214
9 user 1 critic

In Caliente (1935)

Magazine editor Pat O'Brien givesMexican dancer Dolores Del Rio a bad write-up, and then becomes romantically involved. Lots of songs and Busby Berkeley numbers.

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(screen play), (screen play) (as Julius Epstein) | 2 more credits »
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Cast

Cast overview, first billed only:
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Tony De Marco ...
One of the Dancing De Marcos
Sally De Marco ...
One of The Dancing De Marcos
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Lois (as Winifred Shaw)
...
The Magistrate
George Humbert ...
Photographer
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Rita's Maid (as Soledad Jimenez)
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Storyline

Magazine editor Pat O'Brien givesMexican dancer Dolores Del Rio a bad write-up, and then becomes romantically involved. Lots of songs and Busby Berkeley numbers. Written by Michael Crew <m.crew@bbcnc.org.uk>

Plot Summary | Add Synopsis

Plot Keywords:

editor | dancer | uncle | review | resort | See All (32) »

Taglines:

IT'S A MUSICAL HEAT WAVE! (original poster - all caps)


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Details

Country:

Language:

Release Date:

25 May 1935 (USA)  »

Also Known As:

Viva Senorita  »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

The costumes in "The Lady in Red" number were actually blue, but looked "red" when photographed in black and white. See more »

Quotes

Larry MacArthur: All right, I'll tell you the truth. I caught that recital at the tail end of a week's binge.
Rita Gomez: Oh, please go away.
Larry MacArthur: Oh, Rita, please, I'm sorry. I was plastered and I apologize.
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Connections

Referenced in Things You Never See on the Screen (1935) See more »

Soundtracks

To Call You My Own
(1935) (uncredited)
Music by Allie Wrubel
Lyrics by Mort Dixon
Sung by Phil Regan
Played as background music
Whistled and hummed by Pat O'Brien
See more »

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User Reviews

 
A Forgotten Gem from the Assembly Line
16 February 2007 | by See all my reviews

OK, if you haven't seen "42nd Street" or "Footlight Parade" or the first few Gold Diggers movies, this is probably not where to start. OTOH, if you have those virtually memorized (and many do), there is much here to enjoy.

The moguls of Old Hollywood were gambling men not only in their work, but at play as well. They had an abiding interest in horse racing, which accounts for the preposterous number of pictures set at the track which seldom made money but made the "suits" happy.

The horrified WASP establishment froze out any participation by movie folk in Los Angeles area race tracks, so the high rolling execs founded a track of their own across the border in Agua Caliente. So there's some documentary interest here in seeing where the Hollywood elite went to play and, more importantly, bet.

It's tough to put together a musical where She can barely sing or dance and He not at all, but this movie manages it. Plenty of crackling Julius Epstein dialog is kept moving briskly by Lloyd Bacon, one of the better straw bosses on the Warners prison farm.

Edward Everett Horton, more assertive here than with Fred Astaire, Glenda Farrell, Leo Carillo and Luis Alberni keep the proceedings airborne, and Hermann Bing hits a lifetime peak of sublimity trying to spell "rhododendron" through his gargling Austrian accent. How Judy Canova got into all this I don't know, but her cameo leaves quite an impression. I also brood about Dolores del Rio jumping off the high diving board in platform wedgies. Aren't you supposed to be barefoot for that?

There's only one musical hit, "The Lady In Red," and if you've ever seen Bugs Bunny in drag, you already know it. For those who OD'd on platinum blondes in other Busby Berkeley production numbers, they're all brunettes here. George Barnes and Sol Polito turn in some gorgeous camera work, and Orry-Kelly outdoes himself with some of the costumes.

This is a fun, feel-good picture that was made in a hurry and turned out a lot better than it had to be. It's good for smiles, and maybe a lot more.


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