Ruth and her beautiful sister Eileen come to New York's Greenwich Village looking for "fame, fortune and a 'For Rent' sign on Barrow Street". They find an apartment (such as it is!), but ... See full summary »
Polly Parrish, a clerk at Merlin's Department Store, is mistakenly presumed to be the mother of a foundling. Outraged at Polly's unmotherly conduct, David Merlin becomes determined to keep ... See full summary »
Mary Rutledge arrives from the east, finds her fiance dead, and goes to work at the roulette wheel of Louis Charnalis' Bella Donna, a rowdy gambling house in San Francisco in the 1850s. She... See full summary »
Edward G. Robinson,
Non-citizen Arthur marries reporter Murphy for a bogus gangster's confession. A divorce is needed, and Murphy is fired. The gangster wants her to be his girlfriend, the police are outside, and only one who can save her is Murphy.
Erle C. Kenton
Standing before a divorce court judge are Sergeant Andy Anderson and Janie Anderson asking him to dissolve their marriage. Janie's father, William Smith, objects and the judge allows him to... See full summary »
Auto magnate James Buchanan has a fiancée who doesn't love him and a board of directors who won't listen to him. Brooding on a park bench, he meets unemployed Joan Hawthorne, a fine cook who needs a partner to apply for a 'couple' butler/cook job with gourmet ex-bootlegger Mike Rossini. Bemused, Buchanan goes along with the gag, taking lessons from his own butler. But there's sure to be a day of reckoning... Written by
Rod Crawford <firstname.lastname@example.org>
Depression-era folly, fraught with light-hearted whimsy...
Herbert Marshall is quite charming as an automobile tycoon who chances upon unemployed, nearly-homeless Jean Arthur in the park; he conceals his true identity and helps land a cook-and-butler job for them both at the home of a wealthy racketeer, but his impending marriage to a society girl might put an end to the charade. Silly fluff, but put over with so much professionalism that one isn't apt to complain too loudly. Arthur creates a likable character and has some very cute scenes (especially her cooking audition with the garlic), while her conversation with Marshall early on about "two hundred people for every one job" is remarkably relevant in the 21st century. The premise is thin, with the stretch marks extremely apparent in the final tug, yet there are still enough big laughs here to satisfy fans of nutty 1930s comedies. **1/2 from ****
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