Film adaptation of Anton Chekhov's story of life in rural Russia during the latter part of the 19th century. An aging actress Arkidana pays summer visits to her brother Sorin and son ... See full summary »
A frustrated and talentless artist finds acclaim for a plaster covered dead cat that is mistaken as a skillful statuette. Soon the desire for more praise leads to an increasingly deadly series of works.
The Austin family faces the depression head on with Sarah running a boarding house and Joe trying to hit it big with increasingly crazy inventions. When daughter Alice dates a wealthy ... See full summary »
Tupperware is the brand name of a series of plastic food storage products for the home. Tupperware is designed to keep food flavor and odor inside the container. The design of products goes... See full summary »
According to Robert Osborne, the script was submitted to the Production Code office for review in 1934 and it was rejected on the grounds that the film could teach people how to commit arson. The studio turned for help to an insurance company and the Los Angeles fire department. Both wrote letters to the Code office challenging the ruling. In a rare instance for the day, their decision was reversed. See more »
A low budget THIN MAN knock-off style mystery, romantic comedy with plenty of snappy comebacks and hilarious repartee!
Dashing Edmund Lowe plays insurance investigator Tom Fletcher who is hot on the trail of an arsonist. He is helped by his dedicated assistant John Grayson (Onslow Stevens) even though they both suspect each other eventually. Of course they are harassed by authority figures played by great character actors including Edward Van Sloan as the curmudgeonly board of directors and Robert Middlemass as Fire Chief Mulligan. Because Fletcher always demands a huge fee for his services, he finds himself one of the suspects in this latest rash of deliberate fires. A surprise plot-twist puts Fletcher and heroine/suspect Adrienne Martin (Ann Sothern) on the scent of the real firebug. This modest Columbia production was distinguished by several spectacular and real fire scenes that probably came from newsreel footage, all of which quickly found their way into the studio's stock-footage files. Good, tough dialogue and nice pacing by director Kenton.
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