A naive girl just out of a cloistered orphanage finds that being a 'good fairy' to strangers makes life awfully complicated.

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(English translation of play), (play) | 1 more credit »
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Cast

Complete credited cast:
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Eric Blore ...
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Joe
Luis Alberni ...
June Clayworth ...
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Storyline

Young, naive Luisa Ginglebusher, who loves fairy tales, leaves the Budapest orphanage to become a movie usherette. Soon she befriends paternal waiter Detlaff and not so paternal Konrad, a meat-packing millionaire. Uninterested in Konrad's rich gifts, Luisa schemes to be a "good fairy" and divert some of this wealth to poor stranger Dr. Sporum. But it's not that simple... Written by Rod Crawford <puffinus@u.washington.edu>

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Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Release Date:

18 February 1935 (USA)  »

Also Known As:

A Boa Fada  »

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Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

On July 31, 1944, Deanna Durbin, Fredric March and June Lockhart acted in a 30-minute radio adaptation of the film, presented on the "Screen Guild Theatre" by CBS. Two-and-one-half years later, Miss Durbin starred in a musical remake of this picture, entitled I'll Be Yours (1947), which opened on February 2. See more »

Quotes

Konrad: When I'm full of Dutch courage, I behave very Frenchly.
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Connections

Version of I'll Be Yours (1947) See more »

Frequently Asked Questions

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User Reviews

 
Sturges steering
8 April 2009 | by (New York, NY) – See all my reviews

A very fine director (William Wyler), an excellent cast, and prestigious source material (a play by Ferenc Molnar), but this delightful screwball comedy has screenwriter Preston Sturges' fingerprints all over it, and Wyler's casual, unfussy direction feels like Sturges' when directing his own later masterpieces. Margaret Sullavan is the well-meaning orphan set out into the world who wants to do good deeds, and one such deed spirals out of control and brings dizzying repercussions. What Sturges does, as he often did, is set up an absurd situation and keep juggling, each ball just about to come crashing down but never quite hitting the floor. He invents funny lines for expert supporting farceurs and keeps the tempers high, and sends the dialog careening down unexpected alleyways. The contemporary Times critic didn't think Sullavan was a natural comedienne, but I beg to differ, and her whimsical quality is just right. Herbert Marshall, often annoying, is charming here, and Frank Morgan gets perhaps his best shot ever at a character he practically patented--the dithering dilettante, all false bravado and doubling-back-on-himself retractions. Its inconsequentiality is part of its appeal, and if you think it feels like a musical, you're not far off: Sturges later adapted his own screenplay as a Broadway vehicle for Nanette Fabray (good casting), but he botched the adaptation, and "Make a Wish" was an expensive flop. This one doesn't turn up too often, so catch it when you can, and revel in the early Sturges finding and perfecting his unique voice.


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