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The Good Fairy (1935)

7.6
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Ratings: 7.6/10 from 782 users  
Reviews: 26 user | 8 critic

A naive girl just out of a cloistered orphanage finds that being a 'good fairy' to strangers makes life awfully complicated.

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(English translation of play), (play), 1 more credit »
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Title: The Good Fairy (1935)

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Cast

Complete credited cast:
...
Herbert Marshall ...
...
...
Eric Blore ...
...
...
...
Joe
Luis Alberni ...
June Clayworth ...
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Storyline

Young, naive Luisa Ginglebusher, who loves fairy tales, leaves the Budapest orphanage to become a movie usherette. Soon she befriends paternal waiter Detlaff and not so paternal Konrad, a meat-packing millionaire. Uninterested in Konrad's rich gifts, Luisa schemes to be a "good fairy" and divert some of this wealth to poor stranger Dr. Sporum. But it's not that simple... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

18 February 1935 (USA)  »

Also Known As:

A Boa Fada  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

On July 31, 1944, Deanna Durbin, Fredric March and June Lockhart acted in a 30-minute radio adaptation of the film, presented on the "Screen Guild Theatre" by CBS. Two-and-one-half years later, Miss Durbin starred in a musical remake of this picture, entitled I'll Be Yours (1947), which opened on February 2. See more »

Quotes

Dr. Sporum: Never let it be said that a Sporum ever refused the request of a Ginglebusher.
See more »

Connections

Version of I'll Be Yours (1947) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
The Good Film
25 September 2008 | by See all my reviews

Circumstances afford a young woman an opportunity to enrich the life of a poor person that she picks randomly out of a telephone book. Sturges delightfully adapts a Hungarian play, incorporating the kind of snappy dialog that would mark his later directorial efforts. In one of three great films he directed in the mid 1930s (Counsellor at Law, Dodsworth), Wyler displays a touch comparable to Lubitsch. Sullavan, an actress whose career and life were both sadly short, is charming as a good-hearted orphan. Marshall is perfectly cast as a dignified lawyer. Laughs are provided by Owen as a waiter who wants to protect Sullavan and by Morgan as a tycoon who wants to be Sullavan's Sugar Daddy.


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