J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it out the window, it lands on poor ... See full summary »
Carrie boards the train to Chicago with big ambitions. She gets a job stitching shoes and her sister's husband takes almost all of her pay for room and board. Then she injures a finger and ... See full summary »
Hazel Flagg of Warsaw, Vermont receives the news that her terminal case of radium poisoning from a workplace incident was a complete misdiagnosis with mixed emotions. She is happy not to be... See full summary »
William A. Wellman
Young, naive Luisa Ginglebusher, who loves fairy tales, leaves the Budapest orphanage to become a movie usherette. Soon she befriends paternal waiter Detlaff and not so paternal Konrad, a meat-packing millionaire. Uninterested in Konrad's rich gifts, Luisa schemes to be a "good fairy" and divert some of this wealth to poor stranger Dr. Sporum. But it's not that simple... Written by
Rod Crawford <firstname.lastname@example.org>
On July 31, 1944, Deanna Durbin, Fredric March and June Lockhart acted in a 30-minute radio adaptation of the film, presented on the "Screen Guild Theatre" by CBS. Two-and-one-half years later, Miss Durbin starred in a musical remake of this picture, entitled I'll Be Yours (1947), which opened on February 2. See more »
Never let it be said that a Sporum ever refused the request of a Ginglebusher.
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This has long been director William Wyler's hardest-to-find classic, a truly nutty, thoroughly charming romantic comedy written by the incomparable Preston Sturges (and very loosely based on a Ferenc Molnar play). All the Sturges touches that would later be his hallmarks as a director are here - the jaded wit, the almost dance-like physical comedy, the hilarious supporting cast of characters (the priceless Eric Blore, Frank Morgan, Reginald Owen, Beulah Bondi and Alan Hale, among others)... "The Good Fairy" is as much his as Wyler's. Margaret Sullavan is captivating as always as the pure-of-heart (and slightly loopy) heroine - a characterization she would come to perfect in later roles. As for Wyler, this was the first in what would be a string of classics in an astonishing number of genres. But here they are - Preston Sturges, Margaret Sullavan and William Wyler - near the beginning of their careers, already in classic form. Don't miss!
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