7.7/10
919
29 user 10 critic

The Good Fairy (1935)

Approved | | Comedy, Romance | 18 February 1935 (USA)
A naive girl just out of a cloistered orphanage finds that being a 'good fairy' to strangers makes life awfully complicated.

Director:

Writers:

(English translation of play), (play) | 1 more credit »
Reviews

On Disc

at Amazon

Learn more

People who liked this also liked... 

Easy Living (1937)
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

J.B. Ball, a rich financier, gets fed up with his free-spending family. He takes his wife's just-bought (very expensive) sable coat and throws it off the roof, it lands on poor hard-working... See full summary »

Director: Mitchell Leisen
Stars: Jean Arthur, Edward Arnold, Ray Milland
Cluny Brown (1946)
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

Amateur plumber Cluny Brown gets sent off by her uncle to work as a servant at an English country estate. While there, she becomes friendly with Adam Belinski, a charming Czech refugee. She... See full summary »

Director: Ernst Lubitsch
Stars: Charles Boyer, Jennifer Jones, Peter Lawford
Drama
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

In a small Pacific village, a widowed fisherman marries a girl young enough to be his daughter. Complications ensue when the new wife falls in love with her husband's son.

Director: William Wyler
Stars: Walter Huston, Douglass Montgomery, Helen Chandler
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

An office clerk loves entering contests in the hopes of someday winning a fortune and marrying the girl he loves. His latest attempt is the Maxford House Coffee Slogan Contest. As a joke, ... See full summary »

Director: Preston Sturges
Stars: Dick Powell, Ellen Drew, Raymond Walburn
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A flamboyant Broadway impresario who has fallen on hard times tries to get his former lover, now a Hollywood diva, to return and resurrect his failing career.

Director: Howard Hawks
Stars: John Barrymore, Carole Lombard, Walter Connolly
Certificate: Passed Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

A love story centered around the lives of three young German soldiers in the years following World War I. Their close friendship is strengthened by their shared love for the same woman who ... See full summary »

Director: Frank Borzage
Stars: Robert Taylor, Margaret Sullavan, Franchot Tone
Comedy | Music | Romance
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

Set to music, a symphony conductor envisions multiple possible scenarios for dealing with his wife's infidelity.

Director: Preston Sturges
Stars: Rex Harrison, Linda Darnell, Rudy Vallee
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 7.5/10 X  

A lawyer defends his wife, a pathological liar, in a murder trial.

Director: Wesley Ruggles
Stars: Carole Lombard, Fred MacMurray, John Barrymore
Certificate: Passed Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A loafer and a manicurist, both planning to marry money, meet and form an uneasy alliance.

Director: Mitchell Leisen
Stars: Carole Lombard, Fred MacMurray, Ralph Bellamy
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Mirabel wins a $5,000 lottery which will enable her to live like a queen in New York. There she meets Sandro, a bellboy who is really a prince, so she does get to be a queen after all.

Director: William Wyler
Stars: Francis Lederer, Frances Dee, Benita Hume
Roxie Hart (1942)
Comedy | Crime | Romance
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

Roxie Hart signs a murder confession in order to attract publicity for her dancing career as dames don't swing in Cook County. Will everything go as planned?

Director: William A. Wellman
Stars: Ginger Rogers, Adolphe Menjou, George Montgomery
Comedy | Romance
    1 2 3 4 5 6 7 8 9 10 7/10 X  

An executive lets an attractive cook talk him into taking a job as butler.

Director: William A. Seiter
Stars: Herbert Marshall, Jean Arthur, Leo Carrillo
Edit

Cast

Complete credited cast:
...
...
...
...
...
...
...
...
Joe
Luis Alberni ...
...
Edit

Storyline

Young, naive Luisa Ginglebusher, who loves fairy tales, leaves the Budapest orphanage to become a movie usherette. Soon she befriends paternal waiter Detlaff and not so paternal Konrad, a meat-packing millionaire. Uninterested in Konrad's rich gifts, Luisa schemes to be a "good fairy" and divert some of this wealth to poor stranger Dr. Sporum. But it's not that simple... Written by Rod Crawford <puffinus@u.washington.edu>

Plot Summary | Add Synopsis

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
Edit

Details

Country:

Language:

Release Date:

18 February 1935 (USA)  »

Also Known As:

A Boa Fada  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
See  »
Edit

Did You Know?

Trivia

On July 31, 1944, Deanna Durbin, Fredric March and June Lockhart acted in a 30-minute radio adaptation of the film, presented on the "Screen Guild Theatre" by CBS. Two-and-one-half years later, Miss Durbin starred in a musical remake of this picture, entitled I'll Be Yours (1947), which opened on February 2. See more »

Quotes

Dr. Schultz: I see... and what is it you're looking for, Mr. Schlipkohl?
Schlapkohl: Schlapkohl. Usherettes! To show the customers to their seats. They wear gorgeous uniforms, I designed them myself. A big hussar's hat, a little cloak, and pants with...
Dr. Schultz: Pants?
Schlapkohl: ...with stripes. Very effective.
Dr. Schultz: I dare say. The, uh, the pants, I mean, they're not too tight?
Schlapkohl: That depends entirely on the girls, the pants are all the same size.
See more »

Connections

Version of Die Fee (1969) See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Where has this wonderful movie been hiding?
29 May 2005 | by (Westchester County, NY) – See all my reviews

This sparkling comedy may well deserve the title of Best Kept Secret of the '30s: it's a delight in every department, yet somehow remains all but unknown, even among film buffs. Based on a play by Ferenc Molnár, The Good Fairy is funny and warm, full of richly detailed, eccentric characters brought to life by an ensemble of terrific character actors. The direction, scenic design, and cinematography are all first-rate products of the Hollywood studio system in its prime, but despite the uniformly high level of craftsmanship on display I believe most of the credit for this gem rightfully belongs to Preston Sturges, for his witty screenplay. Sturges was compelled to make changes in Molnár's story in order to accommodate the standards of the newly powerful Hays Office, but in so doing he managed to create an adaptation with a special daffy charm all its own, one that deserves a place alongside his more characteristic masterworks of the '40s. Considering the increased interest in Sturges' work in recent years, and the vast elevation of his standing in the Hollywood Pantheon, it's all the more surprising that this film remains so obscure.

Molnár's play tells the story of an amoral young woman named Lu, a theater "usherette" loved by a handsome but poor waiter. Lu would prefer to get ahead in the world by taking advantage of her rich (and married) admirer Konrad. Lu considers sleeping with Konrad, but because she finds him unattractive puts him off by claiming that she's already married, to a lawyer. When Konrad insists on helping her husband professionally -- in hopes of bedding Lu as a reward -- she picks a name out of the phone book at random: Max Sporum. From there things get complicated, but it's interesting to note that in Molnár's play the sexually sophisticated Lu acts only as matchmaker (thus, "good fairy") to the three men in her life, successfully pairing off each one with another woman while remaining single herself. Sturges retained this basic framework but made his Luisa (Margaret Sullavan) far more innocent: she's fresh from an orphan asylum, and totally unschooled in the ways of the world, particularly where men are concerned. In Sturges' version Detlaff the waiter (Reginald Owen) is an older man who is protective of Luisa in a fatherly way but not romantically interested, while the rich middle-aged businessman Konrad (Frank Morgan) initially seems to be a horny roué, but turns out to be an old softy. And where Molnár's Max Sporum was a homely man already involved with his secretary, the lawyer in this film is played by debonair Herbert Marshall, the secretary has been eliminated, and eventual romance between Luisa and Max is assured.

How much of this plotting was imposed on Sturges by the demands of the censors is irrelevant, ultimately, because he succeeded in imposing his own raffish sensibility onto the material despite the unlikely elements, such as Luisa's almost otherworldly innocence and the entirely benevolent interest shown in her by all of these older men. The Hays Office was never much of an impediment to Sturges, anyhow; besides, he slipped a couple of surprisingly risqué lines past the censors here, as he would elsewhere. The plot of this movie depends heavily on Luisa's childlike qualities, and probably wouldn't work nearly as well if she were more sophisticated. If The Good Fairy had been made a few years earlier in the "Pre-Code" era it surely would have been spicier, but might have lost something, too. As it stands, the film strikes just the right balance between sauciness and sweetness, without too much of either element.

Sturges' script is brought to life on screen by a cast of exceptional actors. Margaret Sullavan is quite perfect as Luisa, obviously smart but also stunted by her upbringing. Sullavan conveys the character's innocence without coming off as an idiot, which is no easy trick. Frank Morgan is delightful as Konrad, the wealthy businessman whose interest in Luisa sets the story in motion and changes everyone's life. (Coincidentally, Morgan, who is best remembered for his performance in the title role as The Wizard of Oz a few years later, compares himself to a wizard at one point in a conversation with Luisa.) Herbert Marshall gives perhaps the best comic performance of his career in the unlikely role of impoverished lawyer Max Sporum, a man so delighted by his improved status in life that he waxes eloquent on the subject of a new pencil sharpener. Marshall is a charming actor who deserves to be better remembered; he had one of the best voices of his day, along with Ronald Colman and George Sanders. Reginald Owen is at something of a disadvantage, as his character of Detlaff is rather one-dimensional, but he gives it all he's got and grows on you by the end. The supporting cast is full of the colorful players who used to populate these movies in Hollywood's Golden Age (Alan Hale, Beulah Bondi, Eric Blore, etc.) and who make their limited screen time count.

I've seen The Good Fairy three times now, and enjoy it more with each viewing. I'm still catching funny lines that flew past while I was laughing at something else, and how often can you say that about any comedy? Oh, and don't miss the comic high point, a movie-within-a- movie parody that's as funny as anything Sturges ever wrote.


29 of 30 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
screenplay.. momattos
This movie is a lot of... waltereckland
Discuss The Good Fairy (1935) on the IMDb message boards »

Contribute to This Page