5.9/10
111
10 user 2 critic

Going Highbrow (1935)

Approved | | Comedy, Romance | 23 August 1935 (USA)
Cora and Matt have tons of money and have spent a lot just to be accepted into New York society. The problem is that New York society has very little money. Matt prefers lunch counters and ... See full summary »

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Writers:

(screen play), (screen play) | 2 more credits »
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Cast

Complete credited cast:
...
...
Mrs. Upshaw
...
Augie
...
Harley Marsh
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Sandy
Gordon Westcott ...
Sam Long
...
Annie
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Mrs. Forrester Marsh
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Sinclair
...
Waiter
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Storyline

Cora and Matt have tons of money and have spent a lot just to be accepted into New York society. The problem is that New York society has very little money. Matt prefers lunch counters and regular clothes to fancy dining rooms and dinner clothes, but Cora wants to be in with the '400'. So they give the cash poor, but socially prominent, Marsh's money to have a little party in their honor, and Matt hires waitress Sandy to pose as their daughter. But Harley has already meet Sandy on the sidewalk, and even though he does not know who she is, he is in love with her. But Sandy does not like him. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis

Taglines:

GUY AND ZASU GO RITZY...AND NERTZY! (original print ad - all caps)

Genres:

Comedy | Romance

Certificate:

Approved | See all certifications »
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Details

Country:

Language:

|

Release Date:

23 August 1935 (USA)  »

Also Known As:

Cashing Society  »

Company Credits

Production Co:

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Technical Specs

Runtime:

(Turner library print)

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

Frank Du Frane (Officer) and Walter Clyde (Captain) are in studio records/casting call lists for their roles, but they were not seen in the movie. See more »

Soundtracks

Sextette
(uncredited)
From "Lucia di Lammermoor"
Music by Gaetano Donizetti
Performed by Ross Alexander and Edward Everett Horton with revised lyrics
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User Reviews

 
not so bad
11 December 2006 | by (United States) – See all my reviews

Not as bad as some here say. A tremendous showcase for Edward Everett Horton. His talking/singing duets with Ross Alexander are marvels of comic timing. Horton was in many better films than this, but few that showcased his talent as vividly. Ross Alexander has several scenes where he carries himself with great poise and comic sophistication. There is evidence here he could have been a stylish leading man had he not killed himself. Little known June Martel is surprisingly fetching as diner waitress, though she fades a little when masquerading as a debutant. The story construction is awful in this film but there is some snappy dialogue. In the end a must-see for Horton's and Alexander's musical numbers.


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