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Go Into Your Dance (1935)

Approved  |   |  Crime, Drama, Musical  |  20 April 1935 (USA)
6.5
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 6.5/10 from 178 users  
Reviews: 12 user | 2 critic

Al Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose ... See full summary »

Directors:

(as Archie L. Mayo) , (uncredited) , 1 more credit »

Writers:

(screen play), (based on a story by), 1 more credit »
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Title: Go Into Your Dance (1935)

Go Into Your Dance (1935) on IMDb 6.5/10

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Nominated for 1 Oscar. See more awards »
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Cast

Complete credited cast:
...
...
Dorothy 'Dot' Wayne
Glenda Farrell ...
Molly Howard
...
Duke Hutchinson (as Barton Mac Lane)
...
Irma 'Toledo' Knight
...
Mexican in La Cucaracha Cantina
...
Luana Wells
...
Nellie Lahey (Blonde Showgirl) (as Sharon Lynne)
Benny Rubin ...
Drunk in La Cucaracha Cantina
Phil Regan ...
Eddie 'Teddy' Rio
Gordon Westcott ...
Fred
William B. Davidson ...
Tom McGee (as William Davidson)
...
Café Showgirl
Joseph Crehan ...
H.P. Jackson
Edit

Storyline

Al Howard may be a star on Broadway, but he is no longer welcomed by any producer. It seems that he just trots off to Mexico any time he wants causing shows to close and producers to lose money. When his sister Molly can no longer find Al work, she teams him up with talented Dorothy for a club date in Chicago. Flush with another success, Al wants to open his own club on Broadway, so he borrows money from a gangster to open the show. Al has Dorothy, who he ignores, the gangsters dough and the gangster's sweetie Luana. All he has to do is keep them all happy, but Luana wants Al. Written by Tony Fontana <tony.fontana@spacebbs.com>

Plot Summary | Add Synopsis


Certificate:

Approved | See all certifications »
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Details

Country:

Language:

Release Date:

20 April 1935 (USA)  »

Also Known As:

Casino de Paris  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

Following the sensational success of Columbia's The Jolson Story (1946), Warner Bros. decided that Jolson's revived fame was a good reason to reissue this film. Although there were no changes or censor cuts, Warners did make up new opening credits, which added the famous later Warner "fanfare" and gave Jolson solo over-the-title billing. (Originally he and Keeler had both been starred. She was now listed in smaller print, with the rest of the supporting cast.) Additionally, the studio added a written prologue to make sure audiences knew that the story was set back in the long-ago and far-away time of 1935. See more »

Quotes

Molly Howard, aka Lucille Thompson: What happened?
Dorothy Wayne: Well, man meets girl, girl meets husband, husband meets man, man meets sidewalk.
See more »

Connections

Spoofed in The CooCoo Nut Grove (1936) See more »

Soundtracks

La Cucaracha
(uncredited)
Traditional Mexican song
Played in the Mexican cabaret La Cucaracha and danced to by Joyzelle Joyner
See more »

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User Reviews

 
A Last Ditch Effort
24 April 2006 | by (Buffalo, New York) – See all my reviews

Taking a look at the screen credits of Ruby Keeler and you'll find that Go Into Your Dance is not only the only film she did with her husband Al Jolson, but after five films, her first away from Dick Powell. She did two more subsequent to Go Into Your Dance with Powell, but after only one more film at Warner Brothers, she only made three more prior to retiring from the screen and settling down as wife and mother. Of course Keeler did make a comeback in the Sixties and I well remember seeing her and Patsy Kelly in that Broadway revival of No No Nanette.

What Go Into Your Dance really was meant to do is try to save the Jolsons marriage which was in free fall by then. Al's egomania didn't make him the easiest person to live with and within a few years Keeler called it quits. For the rest of her life she would never answer one question about life with Jolson.

Warner Brothers did assemble a good cast for them. Al plays an irresponsible, egomaniacal entertainer, no stretch in the casting department. He's walked out on too many a show as his sister Glenda Farrell tells him, no producer will hire him. Never mind says Jolie, he'll produce his own with a new dancer he's discovered, Ruby Keeler.

Producing costs money and that means going to gangster Barton MacLane whose trampy wife wants to resume her show business career. Jolie gets the money and the wife played by Helen Morgan. But his problems are only beginning.

Bobby Connolly did the dance direction and I have to say pinch hit admirably for Busby Berkeley. The big hit song of the film was Jolson singing and Keeler dancing to About a Quarter to Nine. It was nicely staged and worthy of Berkeley in every sense of the word as Berkeley gave Jolson that awful Going' to Heaven on a Mule in Wonder Bar. In this film the chorus of male dancers and Jolson all turn to blackface for a minute. Jolson also does the finale title song in blackface as well.

Unfortunately not only does Jolson do blackface, but in this film, not once, but twice he rubs the head of black actor Fred "Snowflake" Toone for good luck. That particular bit of tastelessness kept Go Into Your Dance off the television screens for decades. I remember seeing it on WOR TV's million dollar movie as a lad in the Fifties, but never again until recently.

The real pity is that we were also deprived of seeing Helen Morgan sing as well. Her alcoholism had gotten pretty bad at this point, but she was one of Broadway brightest stars. She sings The Little Things You Used to Do in her typical poignant fashion. It would have really been great to see her co-star with Jolson in a film, but that was not to be.

Go Into Your Dance is quite a museum piece of a film and if you're not into Jolson, I would urge you to see it for Helen Morgan.


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