Ed Beaumont is the personal friend, advisor and bodyguard to Paul Madvig, the political boss of a large city. When a mysterious murder is committed---the son of a Madvig political opponent-... See full summary »

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Cast

Cast overview, first billed only:
...
...
Claire Dodd ...
Rosalind Keith ...
Opal Madvig (as Rosalind Culli)
Charles Richman ...
Robert Gleckler ...
...
Jeff (as Guinn Williams)
...
Tammany Young ...
Harry Tyler ...
Henry Sloss
Charles C. Wilson ...
Emma Dunn ...
'Mom' Madvig
Matt McHugh ...
Puggy
Pat Moriarity ...
Mulrooney
...
Duke
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Storyline

Ed Beaumont is the personal friend, advisor and bodyguard to Paul Madvig, the political boss of a large city. When a mysterious murder is committed---the son of a Madvig political opponent---Madvig's enemies try to pin the crime on him because he is waging a clean-up campaign they oppose. Ed risks his life and his reputation to find the killer and clear his friend. Written by Les Adams <longhorn1939@suddenlink.net>

Plot Summary | Add Synopsis

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He Carries His Love in His Iron Fists! (original poster) See more »

Genres:

Crime | Drama | Mystery

Certificate:

Approved | See all certifications »
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Details

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Language:

Release Date:

15 June 1935 (USA)  »

Also Known As:

A Chave de Cristal  »

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Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

One of over 700 Paramount Productions, filmed between 1929 and 1949, which were sold to MCA/Universal in 1958 for television distribution, and have been owned and controlled by Universal ever since. See more »

Quotes

Shad O'Rory: I'm too big to take the boot from you.
Paul Madvig: Maybe you're too big to take it lying down, but you'll take it. You are taking it!
See more »

Connections

Version of The Glass Key (1942) See more »

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User Reviews

Neglected pioneer noir.
21 July 2002 | by (Australia) – See all my reviews

In the unlikely event that the term "film noir" means anything, it must be the meeting of the US detective film and the sinister Germanic look.

The process can be seen well and truly evident in this rarely seen version of the Hammet story. This one has the down beat view of human nature, sinister nocturnal scenes, notably Raft's discovery of Ray Milland's body and the grim shadowed world of thug Williams in his best rôle.

Neglected in favour of the Alan Ladd version which borrows from it - disposing of the stroppy brother with a kick on the shins, the dog attack - this one plays better because it's easier to believe Arnold is running a city and for director Tuttle's use of comedy actors like Irving Bacon, in serious material. Raft as Ned Beaumont, the minder, fits right in here.

Notice the significant difference is the presence of the mother character in the space that the fiancée takes in the later film. The spectacular auto stunt opening gets things moving rapidly too. This one doesn't work up the intensity of the best of the forties thrillers - no erotic smolder and feelings of growing doom but it's still a good viewing that stands with the best crime films of its day.


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