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When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. Their landlady, a one-time Floradora girl, offers to help Miriam become refined. Successful again, Geoffrey is approached ("if only we were free") by Valentine. Miriam tells Valentine off in no uncertain terms. Geoffrey moves into his club where Valentine's husband tells him he is a fool to leave Miriam. Written by
Ed Stephan <firstname.lastname@example.org>
The Girl From 10th Avenue is one of those B programmers that the brothers Warner were throwing Bette Davis into before they realized what a talent they had. She had already done and got rave reviews for Of Human Bondage, but it made not a whiff of difference. She was a few films from her consolation Oscar for Dangerous.
When Davis got films really beneath her she just went full blown Bette with the voice and the mannerisms that impressionists made a living on for decades. In this film she's a shopgirl who lives in Hell's Kitchen on 10th Avenue who happens to aid a 5th Avenue playboy Ian Hunter when he's been out on a toot. The two wind up married. But can they make a go of it and can Bette fit in with the society just five city blocks from her roots.
This was another Depression Era plot, the shopgirl who marries well and tries to make a go of it. Joan Crawford over at MGM was well known for these roles, though the best of them was the gold digging Crystal in The Women. Davis has to deal with Katharine Alexander who Hunter had broken off with and Hunter has Alexander's ex-husband Colin Clive as a confidante.
Who really scores well is Alison Skipworth who back in the day was a Floradora girl who made a society catch of her own. Skipworth shows Davis the ropes in her own inimitable style.
The Girl From 10th Avenue gets a couple of notches higher rating simply because Davis pushes it up.
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