When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. ... See full summary »
When his fiancée Valentine dumps him, prominent lawyer Geoffrey Sherwood goes on a bender and winds up married to a stranger, Miriam Brady. They decide to give their marriage a chance. Their landlady, a one-time Floradora girl, offers to help Miriam become refined. Successful again, Geoffrey is approached ("if only we were free") by Valentine. Miriam tells Valentine off in no uncertain terms. Geoffrey moves into his club where Valentine's husband tells him he is a fool to leave Miriam. Written by
Ed Stephan <firstname.lastname@example.org>
Bette Davis before Warner Bros. gave her good roles...
Strictly for die-hard Davis fans.
She's a shop girl from the wrong side of the tracks who meets lawyer IAN HUNTER, on a drunk bender, and decides to restore him to his better self on the spur of the moment. Once he's reformed, she has a struggle trying to keep him from former flame KATHARINE Alexander. (For some reason, my computer refuses to put "Alexander" in caps). It's not a typo.
It's a trifle, the kind of film Davis would come to detest in that it was nothing more than a routine melodrama with some comedy interludes from ALISON SKIPWORTH as a landlady who wants to spruce up Bette's ability to mix with IAN HUNTER's society friends.
Made worth a look only for Bette Davis' performance. She's trim, blonde and almost pretty with those Bette Davis eyes lined with mascara. Unfortunately, it's a weak script with a predictable ending. COLIN CLIVE has little to do but he does play a good drunk scene.
TCM is showing this as part of their Depression-era films.
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