The Gilded Lily (1935)A stenographer becomes a famed entertainer, courted by an English nobleman and an informal American reporter. Director:Wesley Ruggles |
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The Gilded Lily (1935)A stenographer becomes a famed entertainer, courted by an English nobleman and an informal American reporter. Director:Wesley Ruggles |
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| Cast overview, first billed only: | |||
| Claudette Colbert | ... | ||
| Fred MacMurray | ... | ||
| Ray Milland | ... |
Charles Gray (Lord Granton)
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| C. Aubrey Smith | ... |
Lloyd Granton, Duke of Loamshire
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Luis Alberni | ... |
Nate Porcopolis
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Eddie Craven | ... |
Eddie, Photographer
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| Donald Meek | ... |
Hankerson
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Charles Irwin | ... |
Oscar, Orchestra Leader
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Forrester Harvey | ... |
Hugo /
Innkeeper
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Grace Bradley | ... |
Daisy
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Claude King | ... |
Boat Captain
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Charles C. Wilson | ... |
Managing Editor
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Edward Gargan | ... |
Subway Guard
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Pat Somerset | ... |
Man in London Club
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Georgie Billings | ... |
Guard's Son
(as George Billings)
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New York stenographer Marilyn David meets Englishman Charles Gray and they fall in love. But Charles leaves town and Marilyn discovers he is a duke's son and already engaged. Marilyn confides in her platonic friend, reporter Peter Dawes, who publicizes her as the 'No Girl' who refused nobility. So Marilyn cashes in on her unwelcome notoriety by becoming a cafe entertainer; in an unexpected way, she succeeds. But can she decide between her two loves? Written by Rod Crawford <puffinus@u.washington.edu>
In this very sweet and charming picture, Claudette Colbert is Marilyn David, a girl divided between two men. One is an English nobleman traveling unknown (Lord Granton/Charles Gray, played by Ray Milland) and the other a friend reporter (Peter Daws, played by Fred MacMurray, in his good old American style). Colbert has a strong friendship bond with MacMurray - they meet each other every Thursday to sit on a bench, take off the shoes and eat popcorn while the world is passing by - while Milland is just that kind of guy women fall for. It is a lovely picture, with a predictable ending, but representing very well a reasonable woman exercising her selection privileges during the good old times, when marriage was meaningful and fidelity and trust where more valuable then gold. There is no use in putting here a good word for Colbert. After all, as everybody knows, she is just fantastic.