It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval ...
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Danny is a content truck driver, but his girl Peggy shows potential as a dancer and hopes he too can show ambition. Danny acquiesces and pursues boxing to please her, but the two begin to spend more time working than time together.
After Police Captain Dan McLaren becomes police commissioner former detective Johnny Blake knocks him down convincing rackets boss Al Kruger that Blake is sincere in his effort to join the ... See full summary »
Edward G. Robinson,
Five members of a teen-age gang, including leader Jimmy Smith, are sent to the State Reformatory, presided over by the melodramatically callous Thompson. Soon, Patsy Gargan, a former ... See full summary »
It's the early days of the F.B.I. - federal agents working for the Department of Justice. Though they've got limited powers - they don't carry weapons and have to get local police approval for arrests - that doesn't stop fresh Law School grad Eddie Buchanan from joining up, and he encourages his former roommate James "Brick" Davis (James Cagney) to do so as well. But Davis wants to be an honest lawyer, not a shyster, despite his ties to mobster boss McKay, and he's intent on doing so, until Buchanan is gunned down trying to arrest career criminal Danny Leggett. Davis soon joins the "G-Men" as they hunt down Leggett (soon-to-be Public Enemy Number One) and his cronies Collins and Durfee, who are engaged in a crime and murder spree from New York to the midwest. Written by
Gary Dickerson <firstname.lastname@example.org>
J. Edgar Hoover, Director of the FBI, personally approved the script for this movie. He even assigned FBI agents to monitor its production and ensure that it was accurate in every detail. When it grossed over $1,000,000 (an astronomical sum for a film in 1935), he was extremely pleased. There were two famous federal law enforcement agencies in the early part of the 20th century. They were the "G-Men" of the FBI, who worked for the Justice Department, and the "T-Men" who worked for the Treasury Department. Hoover was intensely interested in his "G-Men" winning the publicity and popularity rivalry. This movie certainly helped! See more »
During the shooting in the garage, a bullet hole in the wall behind Brick disappears. See more »
I never knock.
Well, it does save getting splinters in your knuckles. Someday someone's gonna knock you flat.
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Lawyer Brick Davis (James Cagney) is a fresh-out-of-school law graduate with no clients. When his old friend Eddie Buchanan (Regis Toomey) stops in town, he approaches Davis to become a 'G Man' - a member of a newly formed federal force that uses brains combined with brawn to make the perfect law enforcement. Davis isn't interested, but when Buchanan is shot dead by a gang of organised thugs, he joins up instantly, and begins to distance himself with his criminal clients. Upon arrival at the FBI recruitment centre, he knocks heads with his newly-appointed mentor Jeff McCord (Robert Armstrong) who dislikes the amount of law graduates they are getting. When the gang that Davis left behind start to cause mayhem on a federal scale, Davis uses his knowledge and experience to bring the gang to justice.
With all the Pre-Code mayhem that was taking over the cinemas back in the 1930's, people began worrying about the flattering, anti-hero portrayals that the criminal underworld were getting. Films such as the 1932 version of Scarface, and The Public Enemy (also starring Cagney) both showed them in a flattering light, so G-Men wanted to make the law cool again. Cagney's Brick Davis is very much like the villains portrayed in these films - he's ambitious, tough, intelligent - but he's also moral. The criminals, however, are portrayed as pure scum, and (in a quite shocking scene) capable of killing women without thinking twice. More of an FBI propaganda film than a film noir or a crime film, but it's easily watchable. Yet apart from a couple of bloody good shootouts and the odd surprise, the film never really grips and it does lack the usual bite from Cagney.
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