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A clever fortune-hunter with a penchant for murder does in his elderly, supposedly rich, wife and manages to get away with it. After an investigation results in a decision of 'accidental ... See full summary »
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Vittorio De Sica
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One night socialite banker Baron Cassini attends the stage show of Eugene Charlier, who resembles him and imitates him in his act. The Baron is attracted to Charlier's jealous stage partner Mimi, while Eugene has similar ideas about Baroness Genevieve. When financial reverses lead to the Baron's disappearance, his frantic partners enlist Charlier to impersonate him; Mimi picks that night to take the Baron up on his invitation; and that's just the beginning... Written by
Rod Crawford <firstname.lastname@example.org>
Please, Monsieur Charlier. You know that kissing is not hygienic. Doctors claim that millions die each year from kissing.
Oh, yes? But what a pleasant way to die! Darling, kill me quick!
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In the early to mid 1930s, Maurice Chevalier made some exceptional American films such as LOVE ME TONIGHT and THE MERRY WIDOW. While I usually am not a fan of Jeanette MacDonald films, his presence elevated them to great heights thanks to his on screen personality and lovely singing voice. While this film is fun and is well worth seeing, it is clearly several steps below these other films in quality--mostly because the script is a tad silly. The main idea is a giant cliché. The audience is supposed to believe that there are two men who are unrelated who look and talk exactly alike. While such an idea worked pretty well in THE PRINCE AND THE PAUPER and THE PRISONER OF ZENDA, here the writing wasn't good enough to enable many audience members to accept this idea--especially because the two are so exact that even a wife cannot tell the difference! If you can ignore the central idea as well as the film going on a bit too long and having too many Busby Berkeley-style dance numbers, you are left with a film that is still worth your time and is a little better than your standard time-passer.
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