Wealthy Lillian Belton attempts suicide by taking a drug overdose, so her physician, Gordon Phillips, sends her to psychiatrist Mary White for treatment. Lillian calls Jack Kerry from Mary's office and then tries to jump out of the window, being stopped by Mary, who learns that Jack is the reason for Lillian's distress. Jack is an alcoholic and doesn't care for Lillian, who loves him dearly. Mary convinces Jack to enter a rehabilitation program to cure his alcoholism. After some setbacks and eight months, Jack is apparently cured, but has developed a strong attachment to Mary, who reminds him that Lillian's dependence on him is just as strong. So Lillian and Jack are married and are apparently happy. Meanwhile, Gordon has been trying to persuade Mary to give up her practice and marry him, but Mary feels she's too devoted to her practice to give it up. At a costume ball, Jack tells Mary he loves her and that she also must love him. As they dance, Lillian gets intensely jealous, ... Written by
Arthur Hausner <email@example.com>
Edmund Goulding who also directed Tryone Power in Nightmare Alley
The film "Nightmare Alley" was a masterpiece of its time, with the content and theme of that film, the psychoanalysis and hypnotism as well as substance abuse issues. (Tyrone Power starred). So going into this film, one would expect an interesting theme on psycho-analysis (buregeoning practice at this time) and Goulding himself reportedly had several varied personal experiences with therapy, which is why his films are also intriguing.
Maureen O'Sullivan as suicidal socialite, and therapy patient. Anne Harding (who was also in "Prestige" with Melvyn Douglas an interesting film.) While you may watch this and try to make sense of the theme, it is probably a better idea to simply watch the players. Ann Harding as female psychiatrist has a few decent lines here . ..." to do something for a higher cause, other than ones self, is to gain insight"... .
However, the speech comes off as odd as she is counseling alcoholic patient and playboy Louis Hayward to stay with his suicidal girlfriend. Overall no resolution here, just unusual characters and a few archaic references to women's roles at the time, although Harding portrayed a believable portrait of a repressed female psychiatrist here.
While a bit convoluted the sets are interesting, the costume ball with Louis Hayward dressed as a harlequin, for example. Overall interesting if a bit inchoate. 8/10.
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