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First a Girl (1935)

7.1
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Ratings: 7.1/10 from 297 users  
Reviews: 14 user | 4 critic

Elizabeth, a delivery girl, dreams of being a music-hall singer but she is refused at the first casting she takes part in. A bit depressed, she gets to know Victor, a would-be Shakespearean... See full summary »

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Cast

Complete credited cast:
...
Sonnie Hale ...
...
Princess Mironoff
Griffith Jones ...
Robert
Alfred Drayton ...
Mr. McLintock
Constance Godridge ...
Beryl
Eddie Gray ...
Goose Trainer
Martita Hunt ...
Madame Seraphina
Donald Stewart ...
Singer
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Storyline

Elizabeth, a delivery girl, dreams of being a music-hall singer but she is refused at the first casting she takes part in. A bit depressed, she gets to know Victor, a would-be Shakespearean actor and another audition victim. When Victor quite unexpectedly gets a female part in a music-hall number he unfortunately finds himself voiceless. Why wouldn't Elizabeth replace it? His new friend hesitates but finally makes her debut as ... a man posing for a woman! She is noticed by McLintock, an influential talent agent who hires Mr. Victoria (Elizabeth's stage name) and launches his/her brilliant international career. One day, Robert, a handsome young man engaged to Princess Mironoff, makes friends with this young man posing as a woman posing as a man ... Written by Guy Bellinger

Plot Summary | Plot Synopsis

Genres:

Comedy | Musical

Certificate:

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Details

Country:

Language:

Release Date:

31 December 1935 (USA)  »

Also Known As:

Mulher Antes de Tudo  »

Company Credits

Show detailed on  »

Technical Specs

Sound Mix:

(Full Range Recording System)

Aspect Ratio:

1.37 : 1
See  »
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Did You Know?

Trivia

The climactic musical number in a gigantic birdcage was filmed in the open air at night at Gaumont British's 70 acre backlot at Northolt. See more »

Goofs

Elizabeth's hands pose differently between shots when Victor brings medicine to her. See more »

Quotes

Robert: [calculatingly] We have dinner late and then decide to motor on. The car will conveniently break down - there.
Princess Mironoff: That's original!
Robert: We... we then, walk, three kilometres.
Princess Mironoff: Now don't get too original, darling.
Robert: Well, what's three kilometres on a nice moonlight night? At the end of that walk, by chance, we will arrive at an inn, which, by a strange coincidence I know well. I shall telephone the "patron" and make some interesting reservations.
See more »

Connections

Remade as Victor/Victoria (1995) See more »

Soundtracks

I Can Wiggle My Ears
Written by Maurice Sigler (as M. Sigler), Al Goodhart (as A. Goodhart) and Al Hoffman (as A.Hoffman)
Performed by Donald Stewart and Sonnie Hale
See more »

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User Reviews

 
Matthews's Second Starring Film
20 September 2005 | by (United States) – See all my reviews

This film is an English-language version of the Victor/Victoria female impersonator story, based on the original film done in Germany, and later re-created by Julie Andrews in 1982. Impersonation seems to be a recurring theme in some of Matthews's films.

Although Matthews was nicknamed "The Dancing Divinity", she does a bit more singing than dancing in this film, not surprising since she was reportedly a popular and prolific recording artist in England. In contrast to some of the dancing ladies of 1930s films, Matthews had a singing voice and didn't need dubbing.

Nevertheless, the dancing she does in this film admirably shows off her abilities. Although she was a proficient tap dancer, here she does not perform any rhythmic tap dances as she did in her other films. The tap dancing she does is more of a soft-shoe performed with co-star, Sonnie Hale, which turns into a nicely done ballroom-style dance, which is part of a large production number.

There is another big production number done with the typical chorus girls and a singer, in which Matthews does not participate. The other big production number features Matthews, again with chorus girls, in which she sings and then performs a freestyle type of dance.

The songs created for this film aren't particularly memorable, and none advanced to the category of "standard", although they are serviceable for the film. The composers may not have household names, but were certainly prolific in that day and you would recognize many of the other songs they have composed, some of which are standards.

It's interesting to see co-star Anna Lee in her early career, somewhat before her emigration to Hollywood, with her hair bleached to platinum blonde in the Jean Harlow style of the 1930s.

This film is interesting to watch, if you'd like to examine the work of Jessie Matthews, or if you just like musicals of the 1930s. This film can be obtained on VHS.


16 of 19 people found this review helpful.  Was this review helpful to you?

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