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A Feather in Her Hat (1935)

A loving mother tells her son that he isn't hers so that the boy will be able to climb out of their poor surroundings. He goes on to become a playwright, and his mother sells her store to ... See full summary »

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Cast

Cast overview:
Pauline Lord ...
Clarissa Phelps
...
Captain Randolph Courtney
...
Richard Orland
...
Julia Trent Anders
...
Pauline Anders
...
Emily Judson
...
Paul Anders
...
Sir Elroyd Joyce
...
Lady Drake
J.M. Kerrigan ...
Pobjoy
...
Dr. Phillips
Doris Lloyd ...
Liz Vining
...
Leo Cartwright
John Rogers ...
Henry Vining
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Storyline

A loving mother tells her son that he isn't hers so that the boy will be able to climb out of their poor surroundings. He goes on to become a playwright, and his mother sells her store to produce his first play. At the end of the film, the mother reveals that she lied about her son's birthright.

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Plot Keywords:

mother love | based on novel | See All (2) »

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Drama

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Release Date:

25 October 1935 (USA)  »

Also Known As:

La sublime mentira  »

Company Credits

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Technical Specs

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Sound Mix:

(Western Electric Noiseless Recording)

Aspect Ratio:

1.37 : 1
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Did You Know?

Trivia

In his classic autobiography 'The Moon's A Balloon', David Niven recalls how nervous he was when he made this movie and his first take was filled with error -- so he was amazed when the cast and extras applauded him. The director told Niven he was perfect and then asked him to do it again "for safety" and Niven --now absent of nerves -- did the scene without a hitch. Later he learned the director had secretly told the cast and crew that Niven was new, probably nervous, and to applaud for him no matter how poorly he did. Only on the second take did he have film in the camera and recorded the scene. For that kindness, Niven put Santell in his 'Hall of Fame'. See more »

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User Reviews

 
Mostly Feathers
15 December 2008 | by (New York, NY) – See all my reviews

After failing as a leading man in Hollywood when talkies came in, Basil Rathbone came back as a character actor five years later. He had a remarkable 1935: David Copperfield, Captain Blood, Anna Karenina, and The Last Days of Pompeii especially showcased his range as a "villain," from pious sadist to laughing cavalier to haughty aristocrat -- each time acting with a subtle twist that made his character the most interesting one in the film.

And this little movie, in which he's not a villain but a gentleman drunk who becomes a surrogate husband and father to a poor shopkeeper and her son. It's not great literature; in fact it's pretty disgustingly condescending to the "little people" and their plucky spirit. As a story, it's about as interesting as an old doily fished out of grandma's trunk. Because I love him, I'd like to say that Rathbone saves it with a remarkable performance, but he's too much of a live wire to play a mild, passive weakling, and he doesn't have much chemistry with Pauline Lord, who plays the sacrificing mother we're supposed to be interested in. It's a part better suited to Roland Young or Donald Crisp... or Nigel Bruce.

Still, as a Rathbone completist, I was happy to get a chance to see it, having first read about it in Michael Druxman's biography of Rathbone waaaaay back in 1974... the recent airing by TCM is the first showing I'm aware of since then. Now if I could only get my hands on "Loyalties."


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