Three working girls in Budapest pool their resources to get a better apartment and impress their dates. One dates a nobleman and, learning of her rejection by him, considers poison. Another... See full summary »
In 19th century Russia,the idealistic officer Chernov is appointed chief of the Imperial Guard by the Empress Catherine the Great and navigates between the diplomacy of Grand Chancellor Nicolai Liyitch and the plots of the generals.
Dowdy Sylvia accepts her boss' marriage proposal, even though he only asked her to avoid marriage to another woman. As a wealthy wife, Sylvia changes from ugly duckling to uninhibited swan ... See full summary »
A nerd discovers he's wanted for murder, after escaping death from wreckage plummeting from a skyscraper. Passerby Frank Thompson wakes up in the street, believing it's his lucky day, then ... See full summary »
In this chronicle of a vaudeville family, Myrtle McKinley (class of 1900) goes to San Francisco to attend business school, but ends up in a chorus line. Soon, star Frank Burt notices her ... See full summary »
Miss Dove is a strict disciplinary, plus a well respected teacher, who has inspired her students to individual greatness. One day during class, Miss Dove experiences great pain in her back,... See full summary »
In his classic autobiography 'The Moon's A Balloon', David Niven recalls how nervous he was when he made this movie and his first take was filled with error -- so he was amazed when the cast and extras applauded him. The director told Niven he was perfect and then asked him to do it again "for safety" and Niven --now absent of nerves -- did the scene without a hitch. Later he learned the director had secretly told the cast and crew that Niven was new, probably nervous, and to applaud for him no matter how poorly he did. Only on the second take did he have film in the camera and recorded the scene. For that kindness, Niven put Santell in his 'Hall of Fame'. See more »
After failing as a leading man in Hollywood when talkies came in, Basil Rathbone came back as a character actor five years later. He had a remarkable 1935: David Copperfield, Captain Blood, Anna Karenina, and The Last Days of Pompeii especially showcased his range as a "villain," from pious sadist to laughing cavalier to haughty aristocrat -- each time acting with a subtle twist that made his character the most interesting one in the film.
And this little movie, in which he's not a villain but a gentleman drunk who becomes a surrogate husband and father to a poor shopkeeper and her son. It's not great literature; in fact it's pretty disgustingly condescending to the "little people" and their plucky spirit. As a story, it's about as interesting as an old doily fished out of grandma's trunk. Because I love him, I'd like to say that Rathbone saves it with a remarkable performance, but he's too much of a live wire to play a mild, passive weakling, and he doesn't have much chemistry with Pauline Lord, who plays the sacrificing mother we're supposed to be interested in. It's a part better suited to Roland Young or Donald Crisp... or Nigel Bruce.
Still, as a Rathbone completist, I was happy to get a chance to see it, having first read about it in Michael Druxman's biography of Rathbone waaaaay back in 1974... the recent airing by TCM is the first showing I'm aware of since then. Now if I could only get my hands on "Loyalties."
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