Sheila Page, a Broadway star, shoots Barney, her murderous husband on New Year's Eve. She flees her apartment and goes to her Producer, John Friday. When she arrives, it is New Year's day, ... See full summary »
Consuelo Cordoba is a headstrong girl trying to reform her con man uncle Don Estaban Cordoba, who is posing as a wealthy tourist in Hawaii. A local woman takes Consuelo under her wing and ... See full summary »
A nerd discovers he's wanted for murder, after escaping death from wreckage plummeting from a skyscraper. Passerby Frank Thompson wakes up in the street, believing it's his lucky day, then ... See full summary »
1920's bandleader Chuck Arnold meets hometown girl Peggy at one of the band's dances and next day weds her. Though she loves him, life on the road becomes increasingly difficult for her, ... See full summary »
In this sequel to "Knock On Any Door", the residents of a Chicago tenement building band together to insure that the son of Nick Romano does not follow in his father's footsteps...to the electric chair.
Miss Dove is a strict disciplinary, plus a well respected teacher, who has inspired her students to individual greatness. One day during class, Miss Dove experiences great pain in her back,... See full summary »
In his classic autobiography 'The Moon's A Balloon', David Niven recalls how nervous he was when he made this movie and his first take was filled with error -- so he was amazed when the cast and extras applauded him. The director told Niven he was perfect and then asked him to do it again "for safety" and Niven --now absent of nerves -- did the scene without a hitch. Later he learned the director had secretly told the cast and crew that Niven was new, probably nervous, and to applaud for him no matter how poorly he did. Only on the second take did he have film in the camera and recorded the scene. For that kindness, Niven put Santell in his 'Hall of Fame'. See more »
After failing as a leading man in Hollywood when talkies came in, Basil Rathbone came back as a character actor five years later. He had a remarkable 1935: David Copperfield, Captain Blood, Anna Karenina, and The Last Days of Pompeii especially showcased his range as a "villain," from pious sadist to laughing cavalier to haughty aristocrat -- each time acting with a subtle twist that made his character the most interesting one in the film.
And this little movie, in which he's not a villain but a gentleman drunk who becomes a surrogate husband and father to a poor shopkeeper and her son. It's not great literature; in fact it's pretty disgustingly condescending to the "little people" and their plucky spirit. As a story, it's about as interesting as an old doily fished out of grandma's trunk. Because I love him, I'd like to say that Rathbone saves it with a remarkable performance, but he's too much of a live wire to play a mild, passive weakling, and he doesn't have much chemistry with Pauline Lord, who plays the sacrificing mother we're supposed to be interested in. It's a part better suited to Roland Young or Donald Crisp... or Nigel Bruce.
Still, as a Rathbone completist, I was happy to get a chance to see it, having first read about it in Michael Druxman's biography of Rathbone waaaaay back in 1974... the recent airing by TCM is the first showing I'm aware of since then. Now if I could only get my hands on "Loyalties."
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