It is Venice, 1900, and Fenella is engaged to composer Caryl Dubrok until she hears that an unmarried woman named Gemma and child is staying with a composer named Dubrok. So the engagement ... See full summary »
Kitty Vane, Alan Trent, and Gerald Shannon have been inseparable friends since childhood. Kitty has always known she would marry one of them, but has waited until the beginning of World War... See full summary »
Set against the background of the Battle of Waterloo, Becky Sharp is the story of Vanity Fair by Thackeray. Becky and Amelia are girls at school together, but Becky is from a "show biz" ... See full summary »
Mary Barrett is an aspiring Opera singer who is taken under the wings of a famous operatic maestro, Guilio Monterverdi. After spending endless working hours together and arguing, their ... See full summary »
When David's father dies, his mother remarries. His new stepfather Murdstone has a mean and cruel view on how to raise a child. When David's mother dies from grief, Murdstone sends David to... See full summary »
Edna May Oliver
Theseus, Duke of Athens, is going to marry Hyppolyta, Queen of the Amazons. Demetrius is engaged with Hermia, but Hermia loves Lysander. Helena loves Demetrius. Oberon and Titania, of the ... See full summary »
The work of a progressive female psychiatrist and her colleague at a mental hospital is threatened by the arrival of a conservative new supervisor, who disapproves of both her methods and the fact that she is a woman in a "man's field."
Gregory La Cava
Romantic quadrangle involving two brothers, one a burgeoning ballet composer; a willful heiress; and a waif. Is it a comedy? Director Paul Czinner is notorious for total uncertainty, and you can go for long stretches here not sure whether you're supposed to laugh or weep or what. The roguish brother encounters the heiress as she bends over to rub a plant: "I don't know when I've seen a nicer aspidistra." Is that meant to be funny? You tell me, but it couldn't be delivered or reacted to more stiffly. One's patience with the film will almost surely hinge on one's tolerance for the waif--it's the director's wife Bergner, she of the butchy blond bob and white culottes, the Peter Pan-like gamin quality and Zorbaesque life philosophy. Her Oscar nomination undoubtedly resulted from how she plays the humiliation when her composer husband rudely pushes her off the stage, too busy to hear about her baby's illness. Bergner is quite affecting there, and also thereafter. But overall, unless one has a taste for the curdled, elfin world-weariness she demonstrates for most of the running time, this picture will pretty much be "interest me never."
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