| Lída Baarová | ... | Gerda Hegert | |
| Albrecht Schoenhals | ... | Kapitän von Moltmann | |
| René Deltgen | ... | I. Offizier Rohlfs | |
| Willy Birgel | ... | Staatsanwalt Dr. Burger | |
| Ernst Karchow | ... | Konsul Schelff | |
| Annemarie Steinsieck | ... | Frau Konsul Schelff | |
| Jupp Hussels | ... | Steward Lüdecke | |
| Alexander Engel | ... | Ingenieur Sparkuhl | |
| Grethe Weiser | ... | Lou Schmidt, Bardame | |
| Alexander Golling | ... | Kommissar Sörensen | |
| Rudolf Platte | ... | Maximilian Wresky, Schauspieler | |
| Alfred Karen | ... | Tänzer | |
| Max Harry Ernst | ... | Tänzer | |
| Hans Kettler | ... | II. Offizier Mehlhorn | |
| Karl Dannemann | ... | III. Offizier Ackermann | |
| Ernst Legal | ... | Kriminalwachtmeister | |
| Rudolf Biebrach | ... | Besatzungsmitglied | |
| Friedrich Ettel | ... | Spelunkenwirt | |
| Karin Luesebrink | ... | Bardame | |
| Edgar Nollet | ... | Besatzungsmitglied | |
| Walter Schramm-Duncker | ... | Inspizient | |
| Theodor Thony | ... | Agent der Schiffslinie | |
| Hugo Werner-Kahle | ... | Vorsitzender des Seegerichts | |
| Martha Ziegler | ... | Portiersfrau | |
| Auguste Wanner-Kirsch |
Directed by | |||
| Gerhard Lamprecht | |||
Writing credits(in alphabetical order) | ||
| Fred Andreas | novel | |
| Fred Andreas | screenplay | |
| Kurt Heuser | ||
| Philipp Lothar Mayring | ||
Original Music by | |||
| Werner Bochmann | |||
Cinematography by | |||
| Robert Baberske | |||
Film Editing by | |||
| Milo Harbich | |||
Art Direction by | |||
| Otto Erdmann | |||
| Hans Sohnle | |||
Makeup Department | |||
| Waldemar Jabs | .... | makeup artist | |
Production Management | |||
| Bruno Duday | .... | production leader | |
| Erich Holder | .... | production leader | |
| Ernst Körner | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Milo Harbich | .... | assistant director | |
Art Department | |||
| Max Linde | .... | props | |
| Alfred Schmidt | .... | props | |
Sound Department | |||
| Fritz Seidel | .... | sound | |
Camera and Electrical Department | |||
| Hans Georg Fehdmer | .... | assistant camera | |
| Walter Pindter | .... | assistant camera | |
| Heinz Ritter | .... | still photographer | |
Costume and Wardrobe Department | |||
| Erwin Rosentreter | .... | wardrobe | |
| Wilhelmine Spindler | .... | wardrobe | |
| Eduard Weinert | .... | wardrobe | |
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| A Man Wants to Get to Germany | Nights in Andalusia | The Yellow Flag | Port Arthur | The Girl from the Marsh Croft |
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| Full cast and crew | Company credits | IMDb Germany section |
Exciting and very good murder drama due to the precise direction of Lamprecht and cast. For the greatest part the script is well thought out and written, but it unexpectedly and astoundingly produces a incredibly sentimental and outright obtuse ending, what a pity. About 1/3 of the film takes place on a ship and the atmosphere on the ship and the relationship between captain and officers are extremely well hit. The storm scenes are very convincing and proof that the UFA was still capable of great technical achievements. But without this cast it would not have been this exciting; outstanding are both Rene Deltgen and Willy Birgel, but let's not forget Rudolf Platte in a rare more or less serious role.