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El día que me quieras (1935)

7.1
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Ratings: 7.1/10 from 92 users  
Reviews: 5 user

Julio Arguelles is the son of a wealthy Buenos Aires businessman. He wants to marry Margarita, but she is below his social status and his father is opposed to the union... See full synopsis »

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Title: El día que me quieras (1935)

El día que me quieras (1935) on IMDb 7.1/10

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Venezuela, 1935. During the dictator Juan Vicente Gómez' rulership, a couple of old lovers are reunited when Carlos Gardel visits their hometown.

Director: Sergio Dow
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Cast

Credited cast:
Carlos Gardel ...
Julio Argüelles
Rosita Moreno ...
Margarita / Marga (the daughter)
Tito Lusiardo ...
Rocamora
Manuel Peluffo ...
Saturnino (as Manuel Pelufo)
Francisco Flores del Campo ...
Daniel Dávila (as Del Campo)
José Luis Tortosa ...
Pedro Dávila
Fernando Adelantado ...
Carlos Argüelles
Suzanne Dulier ...
Celia Villa ...
Juanita
Agustín Cornejo ...
Guitar player
Alberto Infanta ...
Policeman
Rest of cast listed alphabetically:
Giulio de Capua ...
Opera enthusiast
José Moriche ...
Waiter
Astor Piazzolla ...
Newspaper's kid
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Storyline

Julio Arguelles is the son of a wealthy Buenos Aires businessman. He wants to marry Margarita, but she is below his social status and his father is opposed to the union... See full synopsis »

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Genres:

Drama | Musical

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Details

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Release Date:

24 October 1935 (Portugal)  »

Also Known As:

The Day You Love Me  »

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Technical Specs

Runtime:

Sound Mix:

Aspect Ratio:

1.37 : 1
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Did You Know?

Connections

Remade as The Day You Love Me (1969) See more »

Soundtracks

Guitarra mia
by Carlos Gardel
See more »

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User Reviews

 
An masterpiece in Spanish from the Hollywood studios
25 June 2001 | by (Chelsea, MA) – See all my reviews

Carlos Gardel's own favorite film, "El día que me quieras", is one of the very best movies ever produced by a Hollywood studio. He did not live to see its success, but he was right. His genius as a composer, actor and singer emerges in this film that has never been out of circulation.

The video versions does not make any justice to this masterpiece since companies refuse to put money to get good prints (which do exist) for a good telecine.

Even in such poor conditions, the art of Carlos Gardel survives in this film and the soundtrack he recorded for both RCA Victor and EMI Odeon.


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