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The Devil Is a Woman (1935)
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Overview
User Rating:
Director:
Writers:
Release Date:
1935 (Turkey)
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Tagline:
Kiss me .. and I'll break your heart!
Plot:
Film told in flashbacks of an older man's obsession for a woman who can belong to no-one but can frustrate everyone...
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Awards:
1 win
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User Comments:
Did she ever appear more beautiful?
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Cast
(Complete credited cast)| Marlene Dietrich | ... | Concha Perez | |
| Lionel Atwill | ... | Capt. Don Pasqual 'Pasqualito' Costelar | |
| Edward Everett Horton | ... | Gov. Don Paquito 'Paquitito' | |
| Alison Skipworth | ... | Senora Perez | |
| Cesar Romero | ... | Antonio Galvan | |
| Don Alvarado | ... | Morenito (bullfighter) | |
| Tempe Pigott | ... | Tuerta | |
| Francisco Moreno | ... | Alphonso (Paquito's secretary) (as Paco Moreno) | |
| rest of cast listed alphabetically: | |||
| Hank Mann | ... | Foreman on snowbound train (scenes deleted) | |
| Joel McCrea | ... | Antonio Galvan (replaced by Cesar Romero) (scenes deleted) | |
Additional Details
Also Known As:
Caprice Espagno (USA) (working title)
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Parents Guide:
Runtime:
Germany:75 min | USA:79 min | Portugal:80 min
Country:
Color:
Aspect Ratio:
1.37 : 1 more
Sound Mix:
Mono (Western Electric Noiseless Recording)
Certification:
Portugal:17 |
Portugal:(Banned) (original rating) |
UK:A (original rating) (1935) |
UK:U (re-rating) (2006) |
France:U |
Portugal:M/12 |
USA:Approved (PCA #538)
Filming Locations:
Company:
Fun Stuff
Trivia:
In Maximillian Schell's documentary "Marlene", Marlene Dietrich said that this was her favorite of her films.
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Quotes:
Gov. Don Paquito 'Paquitito':
If you catch a man stealing, shoot him. Less trouble afterwards.
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Movie Connections:
Referenced in Sex at 24 Frames Per Second (2003) (V)
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Soundtrack:
Capriccio Espagnol, Op.34
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It may have been one of the flops of Dietrichs career upon its initial release in 1935 but that was mainly due to bad publicity, the Spanish government demanded that the film be banned and destroyed, thus making it such a rare treat to see for Dietrich fans. The film was also the only film that Marlene kept a personal copy of, Joseph Von-Sternbergs lighting and Dietrichs new eyebrows and make-up techniques make Marlene appear more beautiful than she ever did before or again. It is true that the films script is poor but one can forgive that, one can even forgive Dietrichs wooden acting and the poor songs she was forced to sing in the picture, we can forget about everything that is bad about the film because there is something so very impressive about it visually that when i watched it i couldnt take my eyes off the screen, today off course it is truly a masterpiece and the costumes that Dietrich wears are some of her most impressive, almost exceeding those marvellous costumes that she wore in Shanghai Express. It is sad to think that after this film Dietrichs career began to skid and never fully recovered.