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Crime and Punishment (1935/I)
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Overview
User Rating:
Release Date:
22 November 1935 (USA) moreTagline:
I am Sonya! You don't know who or what I am... the police know! They know I'm in love with a murderer! But a woman like me might still save a man's soul! morePlot Keywords:
User Comments:
Sternberg self-destructs more (15 total)Cast
(Complete credited cast)| Peter Lorre | ... | Roderick Raskolnikov | |
| Edward Arnold | ... | Insp. Porfiry | |
| Marian Marsh | ... | Sonya | |
| Tala Birell | ... | Antonya Raskolnikov | |
| Elisabeth Risdon | ... | Mrs. Raskolnikov | |
| Robert Allen | ... | Dmitri | |
| Douglass Dumbrille | ... | Grilov | |
| Gene Lockhart | ... | Lushin | |
| Charles Waldron | ... | University president | |
| Thurston Hall | ... | Editor | |
| Johnny Arthur | ... | Clerk | |
| Mrs. Patrick Campbell | ... | Pawnbroker | |
| rest of cast listed alphabetically: | |||
| A. Gest | ... | Clerk | |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
88 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.37 : 1 moreSound Mix:
Mono (Western Electric Noiseless Recording)Fun Stuff
Trivia:
Josef von Sternberg was contractually obligated to make this film, and he disliked it, saying in his autobiography that it was "no more related to the true text of the novel than the corner of Sunset Boulevard and Gower is related to the Russian environment." moreFAQ
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Inconsolable over his enforced separation from Marlene Dietrich, Sternberg took a passive-aggressive approach to this assignment from Paramount, sabotaging it by neglect at every turn. Given a star performer with infinitely more to offer than Dietrich, the fresh-from-the-continent Peter Lorre, Sternberg chose to work against rather than with him, squashing his attempts to create a coherent interpretation of Raskolnikov and photographing him to look as fat as possible, while mournfully doing his best to make Marian Marsh look Dietrichlike. In squandering the raw materials given to him, from which an ordinary director could have concocted at least a very respectable "Crime and Punishment," Sternberg not only shafted Paramount but did significant damage to Lorre's career (this was meant to have been the prestigious American debut he deserved but never got) as well as his own.