Without dialogue, "Water Babies" chronicles the activities of numerous kewpie doll-like water nymphs over the course of a single day, from their awakening from their slumber in the shelter ... See full summary »
The two foolish little pigs escort Red Riding Hood on a short cut through the woods, against the advice of their bricklayer brother. When they encounter the wolf, Red runs ahead to granny's... See full summary »
Max Hare and Toby Tortoise are having a foot race. Max has much more style, and is generally cocky. He pauses for a short nap, to chat up the bunnies outside a girl's school (and show off ... See full summary »
A baby is transported to Lullaby Land, where pacifiers grow on trees, diapers, bottles, and potty chairs march on parade, and the gingham dog comes to life. He wanders into the "keep out" ... See full summary »
Ambrose the kitten renames himself Butch and runs away from home with plans to become a robber. His first intended victim, though, is a real robber: Dirty Bill, a dog. Dirty Bill asks ... See full summary »
To the tune "I Would Like to Be a Bird," a young mouse fashions wings from a pair of leaves, to the great amusement of his brothers when his attempts to use them fail. When the butterfly he... See full summary »
Robin is crooning to a Mae West-like Jenny Wren when he is shot with an arrow. A court is convened; the judge, an owl, keeps singing the title. A variety of birds are brought to the witness... See full summary »
A hobo gingerbread man helps a sweet young thing become queen of THE COOKIE CARNIVAL. Varied male desserts now vie for her attention, but who will she select to be her king?
An excellent example of the wealth of imagination Disney was developing. Cookie & dessert motifs abound throughout this cartoon. That's Pinto Colvig, normally heard as Goofy, who voices the gingerbread man. And who wouldn't love to see more of Miss Jello?
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most interesting of series in the field of animation. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
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